FREE BOOKS

Author's List




PREV.   NEXT  
|<   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37  
38   39   40   41   42   43   44   45   46   47   48   49   50   >>  
in line of part of the design of the print. The block A is then removed, cleaned, and put away; and the block for the second impression put in its place. It is usual to print the line or key-block of a design first, as one is then able to detect faulty registering or imperfect fitting of the blocks and to correct them at once. But there are cases in which a gradated tone, such as a sky, may need to be printed before the line block. The complete design of a print may require several blocks for colour as well as the key block which prints the line. The impressions from all these blocks may be printed one after another without waiting for the colour on the paper to dry. As soon as the batch of damped sheets has been passed over the first block, the sheets are replaced at B between boards, and, if necessary, damped again by means of damping sheets (as described later in Chapter V) ready for the next impression, which may be proceeded with at once without fear of the colour running. It is a remarkable fact that patches of wet colour which touch one another do not run if properly printed. For the second printing fresh colour is prepared and clean paste, and the printing proceeds as already described, care being taken to watch the proper registering or fitting of each impression to its place in the design. There are many niceties and details to be observed in the printing of both line and colour blocks. These are given in special chapters following. This description of the main action of printing will be of use in giving a general idea of the final operation before the details of the preliminary stages are described. CHAPTER III Description of the Materials and Tools required for Block-cutting The wood most commonly used by the Japanese for their printing-blocks is a cherry wood very similar to that grown in England. The Canadian cherry wood, which is more easily obtained than English cherry, is of too open a grain to be of use. The more slowly grown English wood has a closer grain and is the best for all the purposes of block cutting and printing. Well-seasoned planks should be obtained and kept ready for cutting up as may be required. When a set of blocks is to be cut for a given design, the size of the printing surface of each block should be made equal to the size of the design plus 1 inch or, for large prints, 1-1/2 inch in addition long ways, and 1/4 or 1/2 inch crossways. The thickness o
PREV.   NEXT  
|<   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37  
38   39   40   41   42   43   44   45   46   47   48   49   50   >>  



Top keywords:

printing

 

colour

 
design
 

blocks

 

cherry

 

printed

 

cutting

 
impression
 

sheets

 

details


obtained

 

damped

 

prints

 
required
 
registering
 

fitting

 

English

 
Materials
 

Description

 

action


description
 

chapters

 
special
 

observed

 

commonly

 

preliminary

 

stages

 

CHAPTER

 

operation

 
giving

general

 

surface

 

crossways

 
thickness
 

addition

 
planks
 
England
 

Canadian

 

easily

 
similar

Japanese

 
purposes
 
seasoned
 

closer

 

slowly

 

remarkable

 

impressions

 
complete
 
require
 

waiting