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be rubbed with the finger at that part where the cutting is to begin, so as to make the paper transparent and the black line quite clear. In order to keep the block from moving on the work-table, there should be fixed one or two strips of wood screwed down, to act as stops in case the block tends to slip, but the block should lie freely on the table, so that it may be easily turned round during the cutting when necessary. One should, however, learn to use the cutting knife in all directions, and to move the block as little as possible. The knife is held and guided by the right hand, but is pushed along by the middle finger of the left hand placed at the back of the blade, close down near the point. The left hand should be generally flat on the work-table, palm down, and the nail of the middle finger must be kept short. This position is shown (fig. 7) on p. 30. The flat side of the knife should always be against the line to be cut. Sometimes it is convenient to drive the knife from right to left, but in this case the pressure is given by the right hand, and the left middle finger is used to check and steady the knife, the finger being pressed against the knife just above the cutting edge. A good position for cutting a long straight line towards oneself on the block is shown below (fig. 8). The left hand is on its side, and the middle finger is hooked round and pulls the knife while the right hand guides it. In all cases the middle finger of the left hand pushes or steadies the knife, or acts as a fulcrum. [Illustration: FIG. 7.--Position of the hands in using the knife.] A beginner with the knife usually applies too much pressure or is apt to put the left finger at a point too high up on the blade, where it loses its control. The finger should be as close down to the wood as possible, where its control is most effective. A small piece of india-rubber tubing round the knife blade helps to protect the finger. [Illustration: FIG. 8.--Another position of the hands in using the knife.] With practice the knife soon becomes an easy and a very precise tool, capable of great expressiveness in drawing. Bear in mind that both sides of a line are drawn by the knife. The special power of developing the expressive form of line _on both sides_ is a resource tending to great development of drawing in designs for wood-block prints. The line may be of varying form, changing from silhouette to pure line as may best se
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