r, errors of, 41, 43

Register marks, 36, 37, 42

Register marks, position of, 37

Register marks, section of, 38

Rice flour, 59

Rice paste, 58

Rubber, glass, 65

Rubber, printing, 61

Shadows, treatment of, 85

Shallow cuts, 34

Shrinking of paper, 41

Siberian bear hair brushes, 66

Size, amount of, in paper, 75

Size, excess of, 75

Sizing of paper, 48, 49

Smithsonian Institution pamphlet, 2

South Kensington Museum, 43

Spots in paper, 79

Table, plan of, 11

Tokuno, T., 2

Tools for block-cutting, 19

Training of designers, 86

Treatment of form, 93

Tree-forms, 85, 93

Variety of line, 82, 83

Washita oilstone, 22

Wood, 17

Woodcuts, Italian, ix.

Work-table, plan of, 11

* * * * *

ARTISTS INTERESTED IN THE
:: :: PERMANENCE OF :: ::
THEIR WOOD BLOCK PRINTS

NOW USE THE CAMBRIDGE COLOURS ONLY, BECAUSE

(1) Only Pigments of the HIGHEST ORDER OF PERMANENCE are included in
the Cambridge Palette

(2) All the Pigments may be SAFELY MIXED TOGETHER without danger of
their acting injuriously on each other

(3) All the Pigments are PURE and free from injurious impurities

SOLE MAKERS
MADDERTON & CO., LTD., Loughton, Essex
(ESTABLISHED 1891) ENGLAND
TELEGRAMS TELEPHONE
"MADDERTON, LOUGHTON," ESSEX 63 LOUGHTON

* * * * *

All Tools and Materials for
JAPANESE WOODBLOCK
CUTTING AND PRINTING
as described in this book are stocked by

PENROSE'S

including several new forms of Tools and Brushes
approved by F. Morley Fletcher, Esq.

_LIST FREE ON APPLICATION_

A. W. PENROSE & CO., LTD.
109 Farringdon Road, London, E.C.1.

Printed by Sir Isaac Pitman & Sons, Ltd., Bath, England

***END OF THE PROJECT GUTENBERG EBOOK WOOD-BLOCK PRINTING***

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