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l would no more have dreamed of uttering the watchword of 'Repeal' in Gaelic than of uttering it in Zulu. Grattan could hardly have brought himself to believe that the real repeal of the Union would actually be signed in London in the strange script as remote as the snaky ornament of the Celtic crosses. It would have seemed like Washington signing the Declaration of Independence in the picture-writing of the Red Indians. Ireland has clearly grown away from England; and her language, literature, and type of patriotism are far less English than they were. On the other hand, no one will pretend that the mass of modern Englishmen are much nearer to talking Gaelic or decorating Celtic crosses. A hundred years ago it was perfectly natural that Byron and Moore should walk down the street arm in arm. Even the sight of Mr. Rudyard Kipling and Mr. W. B. Yeats walking down the street arm in arm would now arouse some remark. I could give any number of other examples of the same new estrangement of nations. I could cite the obvious facts that Norway and Sweden parted company not very long ago, that Austria and Hungary have again become separate states. I could point to the mob of new nations that have started up after the war; to the fact that the great empires are now nearly all broken up; that the Russian Empire no longer directs Poland, that the Austrian Empire no longer directs Bohemia, that the Turkish Empire no longer directs Palestine. Sinn Fein is the separatism of the Irish. Zionism is the separatism of the Jews. But there is one simple and sufficing example, which is here more to my purpose, and is at least equally sufficient for it. And that is the deepening national difference between the Americans and the English. Let me test it first by my individual experience in the matter of literature. When I was a boy I read a book like _The Autocrat of the Breakfast-Table_ exactly as I read another book like _The Book of Snobs_. I did not think of it as an American book, but simply as a book. Its wit and idiom were like those of the English literary tradition; and its few touches of local colour seemed merely accidental, like those of an Englishman who happened to be living in Switzerland or Sweden. My father and my father's friends were rightly enthusiastic for the book; so that it seemed to come to me by inheritance like _Gulliver's Travels_ or _Tristram Shandy_. Its language was as English as Ruskin, and a great deal more E
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