rward upon
definite lines. Then you're crowned king and can move as you please,
backwards if you like, till the end of the game.'
'He will be crowned king in July?'
'So I imagine.'
Meanwhile Drake worked on through March and April, outwardly untroubled,
but inwardly asking himself ever: 'Shall I win? Shall I win?' The
question besieged him. Patient he could be, none more so, when the end in
view was to be gained by present even though gradual endeavour; but this
passive waiting was a lid shut down on him, forcing his energies inwards
to prey upon himself. His impatience, moreover, was increased by the
increasing prospects of his undertaking. Additional reports had been
received from his engineer appraising at a still higher value the quality
of the land. He spoke too of a tract of country bordering Drake's
concession on the north, and advised application for it. Biedermann,
besides, had taken up the project warmly. The company was to come out
early in May; there would be few shares open to the public, and the
revolution had not taken place.
Why should he wait till July after all? Drake felt inclined to argue the
question one Sunday afternoon in London's lilac time, as he walked
across the green park towards Beaufort Gardens. He found Miss Le
Mesurier alone and in a melancholy mood. She was singing weariful
ballads in an undertone as he entered the room, and she rose
dispiritedly to welcome him.
'It's seldom one finds you alone,' he said, and his face showed his
satisfaction.
'I don't know,' she replied. 'It seems to me sometimes that I am always
alone, even when people are by,' and her eyelids drooped.
'You?'
Clarice's sincerity was of the artist's sort implying a sub-consciousness
of an audience. She recognised from the accent upon the _you_, that her
little speech had not failed of its effect. She continued more
cheerfully: 'Aunt has gone up to Highgate to see some relations, and
papa's asleep in the library.'
'You were singing. I hope you won't stop.'
'I was only passing the time.'
'You will make me think I intrude.'
'I'll prove to you that you don't,' and she went back to the piano. Drake
seated himself at the side of it, facing her and facing the open window.
The window-ledges were ablaze with flowers, and the scent of them poured
into the room on a flood of sunshine.
Clarice was moved by a sudden whim to a change of humour. She sprang
from her dejection to the extreme of good spirits
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