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hing scorn which was then undoubtedly gnawing at his heart. _Der Sandmann_, though embodying reminiscences of its author's youth, also contains material derived from an incident which took place during a visit of Hoffmann's to Fouque's country-seat near Ratenow, and Nathanael was recognised by Fouque as meant for himself. _Das Majorat_ is, as already stated, a lasting memorial to his old great-uncle, Voethoery; the moral backbone of the story--the evil destiny attaching to the successors of a man whose ambition aimed at founding a powerful family by an act of injustice to his youngest son--reminds the reader forcibly of the purpose that runs through Hawthorne's _House with the Seven Gables_. Of the in many respects admirable story _Das Geluebde_--it is to be regretted that it is marred by the dangerous nature of the subject;[25] it is else poetically treated and invested with a spirit of weird mysticism that would have made it rank higher than what it does. The others in the collection are of lesser merit. The next year 1818 saw no important work from Hoffmann's pen; but in 1819 appeared _Die seltsame Leiden eines Theaterdirekters_, a book written in the form of a dialogue, which was due to the example of his favourite, Diderot's "Rameau's Nephew" (by Goethe), and which conveys a tolerably faithful account of Hoffmann's experiences in the capacity indicated whilst in the town on the Regnitz, and indeed is useful as illustrating the condition of the German stage generally at that period. This was followed by a kind of fairy tale, _Klein Zaches genannt Zinnober_; as this book was generally believed to be a local satire upon persons and circumstances well known, it entailed many severe strictures and much unpleasantness upon its writer. The truth about it seems to be this: the idea--that of a sort of ugly kobold of the Handy Andy type--was suggested by a sudden fancy during an attack of fever, and in a moment of semi-delirium. On recovering his health again, Hoffmann set to work in his impetuous and hasty way, and worked out the idea in probably less than a fortnight. Similarly his _Meister Floh_, one of the last and weakest caricatures he wrote, was likely to have entailed disagreeable consequences upon him, had not his last illness come before any authoritative steps could be taken. For he had made use of incidents which came to his knowledge in the official discharge of his duties, and which were of such a character tha
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