rose and greeted him with a very deep bow, touching the ground with their
fingers; then kissed his hand. Blessing them, the elder replied with as
deep a reverence to them, and asked their blessing. The whole ceremony was
performed very seriously and with an appearance of feeling, not like an
everyday rite. But Miuesov fancied that it was all done with intentional
impressiveness. He stood in front of the other visitors. He ought--he had
reflected upon it the evening before--from simple politeness, since it was
the custom here, to have gone up to receive the elder's blessing, even if
he did not kiss his hand. But when he saw all this bowing and kissing on
the part of the monks he instantly changed his mind. With dignified
gravity he made a rather deep, conventional bow, and moved away to a
chair. Fyodor Pavlovitch did the same, mimicking Miuesov like an ape. Ivan
bowed with great dignity and courtesy, but he too kept his hands at his
sides, while Kalganov was so confused that he did not bow at all. The
elder let fall the hand raised to bless them, and bowing to them again,
asked them all to sit down. The blood rushed to Alyosha's cheeks. He was
ashamed. His forebodings were coming true.

Father Zossima sat down on a very old-fashioned mahogany sofa, covered
with leather, and made his visitors sit down in a row along the opposite
wall on four mahogany chairs, covered with shabby black leather. The monks
sat, one at the door and the other at the window. The divinity student,
the novice, and Alyosha remained standing. The cell was not very large and
had a faded look. It contained nothing but the most necessary furniture,
of coarse and poor quality. There were two pots of flowers in the window,
and a number of holy pictures in the corner. Before one huge ancient ikon
of the Virgin a lamp was burning. Near it were two other holy pictures in
shining settings, and, next them, carved cherubims, china eggs, a Catholic
cross of ivory, with a Mater Dolorosa embracing it, and several foreign
engravings from the great Italian artists of past centuries. Next to these
costly and artistic engravings were several of the roughest Russian prints
of saints and martyrs, such as are sold for a few farthings at all the
fairs. On the other walls were portraits of Russian bishops, past and
present.

Miuesov took a cursory glance at all these "conventional" surroundings and
bent an intent look upon the elder. He had a high opinion of his own
ins