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e highest hill, Which rises o'er the source of Dee, And from the eastern summit sped Its silver light on tower and tree." I find, however, amongst my papers, a fragment of a version of this same ballad, of, I assume, earlier antiquity, which so surpasses Low's ballad that the author has little to thank him for his interference. The first verse of what I take to be the original poem stands thus: "The moon had climbed the highest hill, Where eagles big[2] aboon the Dee, And like the looks of a lovely dame, Brought joy to every body's ee." No poetical reader will require his attention to be directed to the immeasurable superiority of this glorious verse: the high poetic animation, the eagles' visits, the lovely looks of female beauty, the exhilarating gladness and joy affecting the beholder, all manifest the genius of the master bard. I shall receive it as a favour if any of your correspondents will furnish a complete copy of the original poem, and contrast it with what "Low" fancied his "improvements." JAMES CORNISH. [Footnote 2: Build.] _Epitaph at Wood Ditton._--You have recently appropriated a small space in your "medium of intercommunication" to the subject of epitaphs. I can furnish you with one which I have been accustomed to regard as a "grand climacterical absurdity." About thirty years ago, when making a short summer ramble, I entered the churchyard of Wood Ditton, near Newmarket, and my attention was attracted by a headstone, having inlaid into its upper part a piece of iron, measuring about ten inches by six, and hollowed out into the shape of a _dish_. I inquired of a cottager residing on the spot what the thing meant? I was informed that the party whose ashes the grave covered was a man who, during a long life, had a strange taste for sopping a slice of bread in a dripping-pan (a pan over which meat has been roasted), and would relinquish for this all kinds of dishes, sweet or savoury; that in his will he left a request that a dripping-pan should be fixed in his gravestone; that he wrote his own epitaph, an exact copy of which I herewith give you, and which he requested to be engraved on the stone: "Here lies my corpse, who was the man That loved a sop in the dripping-pan; But now believe me I am dead,-- See here the pan stands at my head. Still for sops till the last I cried, But could not eat, and so I died. My neighbours they perhaps will laugh, When they
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