y way.'
"It was his great and wonderful self-confidence, and it was rarely
overestimated.
"To his actors in a new play, after a week's 'roughing out' of the lines
and business, the announcement that 'C. F. will be here to-morrow' would
cause a flutter, some consternation, and to the newer members a great
fear. To those who had been with him before he was like a sheet-anchor
in a storm. They knew him and trusted and loved him. He was all
sympathy, all comfort, all encouragement--if anything, too indulgent and
overkind. But he won the confidence and affection of his people at the
outset, and I have rarely met a player who would not have done his
slightest bidding."
* * *
One of Frohman's characteristic hobbies was that he would never allow
the leading man or the leading woman of his theater, or anybody in the
company, no matter what position he or she held, to presume upon that
position and bully the property man, or the assistant stage-manager, or
any person in a menial position in the theater. He was invariably on the
side of the smaller people.
Very often he would say, "The smallest member of this organization, be
he of the staff or in the company, has as much right to his 'say' in an
argument as the biggest member has."
On one occasion a certain actor, who was rather fond of issuing his
wishes and instructions in a very loud voice, made his exit through a
door up the center of the stage which was very difficult to open and
shut. It had not worked well, and this had happened, quite by accident,
on several occasions during the run of the play. The actor had spoken
rather sharply to the carpenter about it instead of going, as he should
have done, to the stage-manager. He always called the carpenter
"Charley." The carpenter was a rather dignified person named Charles
Heimley.
On the night in question this actor had had the usual trouble with the
door. Heimley was not in sight, for he was evidently down in his
carpenter-shop under the stage. The actor leaned over the balustrade and
called out: "Charley! Charley!"
Frohman, who was just walking through the side door on his way to
William Faversham's dressing-room, turned to the star and said:
"Who is calling? Does he want me?"
"Oh no, he is calling the carpenter," replied Faversham.
Frohman tapped the noisy actor on the shoulder with his stick, and said,
"You mean _Mr. Heimley_, don't you?" He wanted the carpenter's position
to be respected.
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