FREE BOOKS

Author's List




PREV.   NEXT  
|<   239   240   241   242   243   244   245   246   247   248   249   250   251   252   253   254   255   256   257   258   259   260   261   262   263  
264   265   266   267   268   269   270   271   272   273   274   275   276   277   278   279   280   281   282   283   284   285   286   287   288   >>   >|  
Yet from this pain-racked post he tried to direct his large affairs. There was a telephone at his bedside, and he used it until weakness prevented him from holding the receiver. He could not go to the theater, so the theater was brought to him. More than one preliminary rehearsal was held in his drawing-room. This was particularly true of musical pieces. The music distracted him from his pain. Though prostrate with pain, his dogged determination to keep on doing things held. Barrie sent him the manuscript of a skit called "A Slice of Life." It was a brilliant satire on the modern play. Frohman picked Ethel Barrymore (who was then playing in "Cousin Kate" at the Empire), John Barrymore, and Hattie Williams to do it, and the rehearsals were held in the manager's rooms at the Knickerbocker. Frohman was as much interested in this one-act piece as if it had been a five-act drama. His absorption in it helped to divert his mind from the pain that had sadly reduced the once rotund body. With "A Slice of Life" he introduced another one of the many innovations that he brought to the stage. The play was projected as a surprise. No announcement of title was made. The advertisements simply stated that Charles Frohman would present "A Novelty" at the Empire Theater at eight o'clock on a certain evening. Frohman was unable to attend the opening performance, so he wrote a little speech which was spoken by William Seymour. The speech was rehearsed as carefully as the play. A dozen times the stage-director delivered it before his chief, who indicated the various phrases to be emphasized. It was during the era of the New Theater when the so-called "advanced drama" was much exploited. Frohman had little patience with this sort of dramatic thing. The little speech conveys something of his satirical feeling about the millionaire-endowed theatrical project which was then agitating New York. Here is the speech as Frohman wrote it: _Ladies and Gentlemen:--My appearance here to-night is by way of apology. I am here representing Mr. Charles Frohman--you may have heard of him--the manager of this theater, the Empire._ _His idea in announcing a novelty in connection with Miss Barrymore's play, "Cousin Kate," was really for the purpose of getting you here once in time for the ringing up of the curtain. This will be a special performance of a play to be given by a few rising members of the
PREV.   NEXT  
|<   239   240   241   242   243   244   245   246   247   248   249   250   251   252   253   254   255   256   257   258   259   260   261   262   263  
264   265   266   267   268   269   270   271   272   273   274   275   276   277   278   279   280   281   282   283   284   285   286   287   288   >>   >|  



Top keywords:

Frohman

 

speech

 
theater
 

Barrymore

 

Empire

 
called
 

manager

 

Cousin

 

Theater

 

Charles


performance

 

brought

 
direct
 

advanced

 
attend
 
dramatic
 
evening
 

unable

 

exploited

 

patience


opening

 

William

 
delivered
 

director

 

Seymour

 

carefully

 
conveys
 

spoken

 

emphasized

 

rehearsed


racked

 

phrases

 

endowed

 

connection

 

purpose

 

novelty

 

announcing

 
rising
 

members

 

special


ringing

 

curtain

 
representing
 
theatrical
 

project

 

agitating

 

millionaire

 
satirical
 

feeling

 

Ladies