-well, "a sea of troubles, [thoughts trouble us more than
things--I sin again; close it;] and by opposing, end them;" that is, by
setting forth these troublous thoughts opposite, in stately black and
white, I clip their wings, and make them peck among my poultry, and not
swarm about my heaven. But soon must I be more continuous; turn over to
my future title-pages, and spare your objurgation; a little more of this
medley while the fit lasts, and afterward a staid course of better
accustomed messes; a few further variations on this lawless theme of
authorship, and then to try simpler tunes; briefly, and yet to be
grandiloquent, as a last round of this giddy climax, after noisy
clashing Chaos there shall roll out, "perfect, smooth, and round," green
young worldlets, moving in quiet harmony, and moulded with systematic
skill.

As an author, meanwhile, let man be most specifically characterized: a
real author, voluntary in his motives, but involuntary as regards his
acts authorial; full of matter, prolific of images and arguments,
teeming, bursting, with something, much, too much, to say, and well
witting how to say it: none of your poor devils compulsory from
poverty--Plutus help them!--whose penury of pocket is (pardon me) too
often equitably balanced by their emptiness of head; and far less one of
the lady's-maid school, who will glory in describing a dish of cutlets
at Calais, or an ill-trimmed bonnet, or the contents of an old maid's
reticule, or of a young gentleman's portmanteau, or those rare occasions
for sentimentality, moonlight, twilight, arbours, and cascades, in the
moderate space of an hour by Shrewsbury clock: but a man who has it
weightily upon his mind to explain himself and others, to insist,
refute, enjoin: a man--frown not, fair helpmates; the controversial pen,
as the controversial sword, be ours; we will leave your flower-beds and
sweeter human nurseries, despotism over cooks and Penelobean penance
upon carpet-work; nay, a trip to Margate prettily described, easy
lessons and gentle hymns in behalf of those dear prattlers, and for the
more coerulean sort, "lyrics to the Lost one," or stanzas on a sickly
geranium, miserably perishing in the mephitic atmosphere of routs--these
we masculine tyrants, we Dionysii of literature, ill-naturedly have
accounted your prerogatives of authorship. But who then are Sevigne and
Somerville, Edgeworth and De Stael, Barbauld and Benger, and Aikin, and
Jameson, Hemans, Lan