FREE BOOKS

Author's List




PREV.   NEXT  
|<   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138  
139   140   141   142   143   144   145   146   147   148   149   150   151   152   153   154   155   156   >>  
omposers. That he was not deep, that he does not speak a message of the inner life to the latter-day individual, who, in the Ossianic phrase, likes to indulge in "the luxury of grief," must, of course, be admitted. The definite embodiment of feeling which we find in Beethoven is not to be found in him. It was not in his nature. "My music," says Schubert, "is the production of my genius and my misery." Haydn, like Mendelssohn, was never more than temporarily miserable. But in music the gospel of despair seldom wants its preachers. To-day it is Tschaikowsky; to-morrow it will be another. Haydn meant to make the world happy, not to tear it with agony. "I know," he said, "that God has bestowed a talent upon me, and I thank Him for it. I think I have done my duty, and been of use in my generation by my works. Let others do the same." APPENDIX A: HAYDN'S LAST WILL AND TESTAMENT The following draft of Haydn's will is copied from Lady Wallace's Letters of Distinguished Musicians (London, 1867), where it was published in full for the first time. The much-corrected original is in the Court Library at Vienna. Dies says: "Six weeks before his death, in April 1809, he read over his will to his servants in the presence of witnesses, and asked them whether they were satisfied with his provisions or not. The good people were quite taken by surprise at the kindness of their master's heart, seeing themselves thus provided for in time to come, and they thanked him with tears in their eyes." The extracts given by Dies vary in some particulars from the following, because Haydn's final testamentary dispositions were made at a later date. But, as Lady Wallace says, it is not the legal but the moral aspect of the affair that interests us. Here we see epitomized all the goodness and beauty of Haydn's character. The document runs as follows: FLORINS. 1. For holy masses,........................................12 2. To the Norman School,....................................5 3. To the Poorhouse,........................................5 4. To the executor of my will.............................200 And also the small portrait of Grassi. 5. To the pastor,..........................................10 6. Expenses of my funeral, first-class,...................200 7. To my dear brother Michael, in Salzburg,..............4000 8. To my
PREV.   NEXT  
|<   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138  
139   140   141   142   143   144   145   146   147   148   149   150   151   152   153   154   155   156   >>  



Top keywords:

Wallace

 

provided

 
particulars
 
Vienna
 

extracts

 

thanked

 

satisfied

 

witnesses

 

presence

 

servants


provisions
 

surprise

 

kindness

 

master

 
people
 
affair
 

portrait

 

Grassi

 

executor

 

Norman


School

 

Poorhouse

 

pastor

 

Michael

 

brother

 

Salzburg

 

Expenses

 

funeral

 

masses

 

aspect


interests

 
dispositions
 

testamentary

 

epitomized

 

FLORINS

 

document

 

goodness

 

beauty

 

character

 

copied


genius

 

production

 

misery

 

Mendelssohn

 

Schubert

 

Beethoven

 

nature

 
preachers
 

Tschaikowsky

 

morrow