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d prepared for them, but for the town chaps it was an altogether different proposition. When I announced 'Pinafore' I felt satisfied they would defer their energies and lay low for the 'Merry, Merry Maiden and the Tar,' determining to have a little fun of their own kind with us on Saturday; but after the performance we struck tent and by early morning we were once more out on the Sound for fresh fields and pastures new." CHAPTER IX "One man in his time plays many parts." --AS YOU LIKE IT. If the "boys" of New London looked forward to having a good old summer time with Handy and his all-star company the following Saturday evening, they were wofully out in their reckoning. Though "Pinafore" was announced with due managerial formality, perhaps somewhat ambiguous, for that particular occasion, when the time for presentation arrived there was not a vestige of either tent or performers. After the entertainment on the night of the fair the company went aboard the _Gem of the Ocean_. Handy alone remained ashore. As he had been manager, advance and press agent, and principal performer, he concluded to add another to his many responsibilities and become night watchman. The tent, stage properties, etc., had to be guarded, and he undertook the duties of guardian. "Let no one turn in until I get aboard," said he to Smith, "and you row ashore in an hour's time. Mind, don't be later than that, and you needn't get here sooner. Tell the boys I have some work for them to do before they lay down to rest. Take a bite and a sup and join me here in an hour." The two men parted; one with his companions for the boat at the end of the pier and the other to play the part of watchman over his outfit. A few of the town chaps lingered in the neighborhood of the tent. In the country, as in the city, it is remarkable what a fascinating influence players exercise over young fellows who are ambitious to be regarded as the knowing ones regarding everything appertaining to the playhouse. How glibly the beardlings of the twenties or thereabouts will use the names of actors with whom perhaps they have never exchanged a word, in the silly belief they are raising themselves in the estimation of their auditors. It is an odd conceit, yet it prevails with the would-be fast young men of the present day. To hear some of these mollycoddles prate one who was not acquainted with their weaknesses would imagine these chaps were on intimat
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