d prepared for them, but for the town chaps it was an altogether
different proposition. When I announced 'Pinafore' I felt satisfied they
would defer their energies and lay low for the 'Merry, Merry Maiden and
the Tar,' determining to have a little fun of their own kind with us on
Saturday; but after the performance we struck tent and by early morning
we were once more out on the Sound for fresh fields and pastures new."
CHAPTER IX
"One man in his time plays many parts."
--AS YOU LIKE IT.
If the "boys" of New London looked forward to having a good old summer
time with Handy and his all-star company the following Saturday evening,
they were wofully out in their reckoning. Though "Pinafore" was
announced with due managerial formality, perhaps somewhat ambiguous, for
that particular occasion, when the time for presentation arrived there
was not a vestige of either tent or performers. After the entertainment
on the night of the fair the company went aboard the _Gem of the Ocean_.
Handy alone remained ashore. As he had been manager, advance and press
agent, and principal performer, he concluded to add another to his many
responsibilities and become night watchman. The tent, stage properties,
etc., had to be guarded, and he undertook the duties of guardian.
"Let no one turn in until I get aboard," said he to Smith, "and you row
ashore in an hour's time. Mind, don't be later than that, and you
needn't get here sooner. Tell the boys I have some work for them to do
before they lay down to rest. Take a bite and a sup and join me here in
an hour."
The two men parted; one with his companions for the boat at the end of
the pier and the other to play the part of watchman over his outfit. A
few of the town chaps lingered in the neighborhood of the tent.
In the country, as in the city, it is remarkable what a fascinating
influence players exercise over young fellows who are ambitious to be
regarded as the knowing ones regarding everything appertaining to the
playhouse. How glibly the beardlings of the twenties or thereabouts will
use the names of actors with whom perhaps they have never exchanged a
word, in the silly belief they are raising themselves in the estimation
of their auditors. It is an odd conceit, yet it prevails with the
would-be fast young men of the present day. To hear some of these
mollycoddles prate one who was not acquainted with their weaknesses
would imagine these chaps were on intimat
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