FREE BOOKS

Author's List




PREV.   NEXT  
|<   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43   44  
45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   >>   >|  
ry acme of sculpture, and certainly the Parisians so regard her or they would not pay her such a high tribute in the way of space and position. She is the focus of that whole wonderful gallery. No one has ever had the boldness to give her a place in the market quotations, but I can regale myself with her beauty for a mere pittance. This pittance does not at all cancel my indebtedness, and I come away feeling that I still owe something to somebody, without in the least knowing who it is or how I am to pay. I can't even have the poor satisfaction of making proper acknowledgment to the sculptor. I can acknowledge my obligation to Michael Angelo for the Sistine ceiling, but that doesn't cancel my indebtedness by any means. It took me fifteen years to find the Cumaean Sibyl. I had seen a reproduction of this lady in some book, and had become much interested in her generous physique, her brawny arms, her wide-spreading toes, and her look of concentration as she delves into the mysteries of the massive volume before her. Naturally I became curious as to the original, and wondered if I should ever meet her face to face. Then one day I was lying on my back on a wooden bench in the Sistine Chapel, having duly apologized for my violation of the conventions, when, wonder of wonders, there was the Cumaean Sibyl in full glory right before my eyes, and the quest of all those years was ended in triumph. True, the Sibyl does not compare in greatness with the "Creation of Adam" in one of the central panels, but for all that I was glad to have her definitely localized. I have never got it clearly figured out just how the letters of the alphabet were evolved, nor who did the work, but I go right on using them as if I had evolved them myself. They seem to be my own personal property, and I jostle them about quite careless of the fact that some one gave them to me. I can't see how I could get on without them, and yet I have never admitted any obligation to their author. The same is true of the digits. I make constant use of them, and sometimes even abuse them, as if I had a clear title to them. I have often wondered who worked out the table of logarithms, and have thought how much more agreeable life has been for many people because of his work. I know my own debt to him is large, and I dare say many others have a like feeling. Even the eighth-grade boys in the Castle Road school, London, share this feeling, doubtless, fo
PREV.   NEXT  
|<   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43   44  
45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   >>   >|  



Top keywords:

feeling

 

pittance

 
obligation
 

evolved

 

indebtedness

 

cancel

 

wondered

 

Sistine

 

Cumaean

 

letters


alphabet
 
personal
 
school
 

London

 

localized

 

triumph

 
compare
 

doubtless

 

greatness

 

figured


panels
 

Creation

 

central

 

eighth

 

logarithms

 

thought

 

worked

 

people

 

agreeable

 

admitted


jostle
 

careless

 

author

 

constant

 

digits

 

wonders

 

Castle

 

property

 

massive

 

quotations


regale
 

beauty

 

acknowledgment

 

sculptor

 

acknowledge

 
Michael
 

proper

 

making

 

knowing

 

satisfaction