ne primi cinque
secoli del Cristianesimo"; Fosco's "La Cathedrale di Sebenico";
Franceschi's "L'Istria"; Gelcich's "Memorie storiche delle Bocche di
Cattaro" and "Dello Sviluppo civile di Ragusa"; Lago's "Memorie sulla
Dalmazia"; Lucio's "History of Dalmatia and Trau"; Ludwig and Molmenti's
"Vittore Carpaccio"; Mantegazza's "L'Altra Sponda"; Modrich's "La
Dalmazia"; Pasini's "Il Tesoro di S. Marco in Venezia"; Cav. G.B. di
Rossi's "La Capsella Argentea africana," &c., and the two series of
"Bullettino di Archeologia Cristiana"; Sabalich's "Guida Archeologica di
Zaza"; Tamaro's "Le Citta dell' Istria"; and volumes of the Zara
"Annuario Dalmatico"; Bamberger's "Blaues Meer und Schwarze Berge";
Danilo's "Dalmatien"; "Die Monarchic in Wort und Bild"; Eitelberger von
Edelberg's "Gesammelte Kunsthistorischen Schriften"; Hauser's "Spalato
und die monumente Dalmatiens"; Heider's "Mittelaltliche Kunst denkmale
des OEsterreichischen Kaiserstaates"; Passarge's "Dalmatien und
Montenegro"; Petermann's "Fuehrer durch Dalmatien"; Tomasin's "Die
Volkstamme im Gebiete von Triest und in Istrien"; Von Warsberg's
"Dalmatien"; and Count Lanckoronski's magnificent monograph of the
Cathedral of Aquileia.

A small portion of the matter of this volume has appeared in _The
Builder_ and _The Guardian_, but has been revised and, to a great
extent, rewritten. The author's thanks are due to the proprietors for
permission to republish these articles. He desires to express his thanks
also to the Austrian Government especially, and to the ecclesiastical
authorities, for special facilities very kindly afforded him for
prosecuting his studies; to the Central Commission, for the loan of
cliches of most of the plans; to the directorate of the Archeografo
Triestino, for permission to reproduce the plan of the cathedral,
Trieste; to the Istrian Archaeological Society, for the plan of the three
cathedrals of Parenzo, and for permission, very courteously given by the
president, Dr. Amoroso, to use anything published by them on the
subject; to Mgr. Bulic, Sig. Maionica, Curator of the Museum, Aquileia,
and to Sig. Puschi, of the Museum, Trieste, for much information kindly
given by word of mouth; and to Mr. Palmer, Librarian of the Art Library,
South Kensington, for calling his attention to several books which were
exceedingly useful.

The photographs (as in the Italian volume) are from the excellent
negatives of Mr. Cooper Ashton, the travelling companion o