raming of late Gothic foliage, with
half-lengths of angels in the spandrils. The central saint is
accompanied by two small kneeling donors; the other four are the
Aquileian virgins. In the south transept is a sarcophagus on four
Romanesque columns with twisted pillars at the corners, and the sides of
the central subject (S. Hermagoras, with the four virgins small, on
their knees, and the hand of God above). The spaces between are inlaid
with red marble. The caps appear to be of the fourteenth century, the
period of the foliage cornice.
As a consequence of the earthquake of January 25, 1348, a good part of
the church fell down on October 19. Constant wars prevented the
patriarch from having money to spend on its restoration. A document of
1354 reveals a lamentable state of things--the population was but
100--worshippers did not come, and the clergy had fled to save
themselves from sickness and death; no one came to the services of Holy
Week because the roads were under water, &c.; with a final request that
Udine might be named as the seat of the patriarchate. The rebuilding was
commenced under Lodovico della Torre (1360) and finished under Marquard
da Randeck (1365-1380), the architect being unknown. At this time the
nave arcade was made pointed, and some of the super-abaci carved with
Gothic foliage. After Venice had expropriated the patriarch (in 1420)
money was spent upon the cathedral. In 1479 the choir seats were
renewed. In 1493, under Nicolo Donato, the winter choir was renewed. In
1495 the high-altar was erected, upon which Antonio di Osteno,
Bernardino di Bissone, and Domenico di Udine were employed. Work was
also done in the crypt, in connection with the better preservation of
the relics of some saints. In 1498 the tribune appears to have been
made, under Domenico Grimani. This is a very decorative arrangement,
with a central feature, flanked by two flights of steps, and side
platforms furnished with a balustrade, which project some way into the
transepts, and are carved elaborately with graceful arabesques. In the
centre below is a niche with shell-head and grated window, through which
the inside of the crypt is visible. To the right is a ciborium altar,
with a relief of Christ in the tomb half-length, supported by the Virgin
and S. John, flanked by two scroll-bearing angels. An inscription
describes it as an oratory, where relics of the saints are venerated.
The pillars bear an architrave--a shell-he ad bene
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