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raming of late Gothic foliage, with half-lengths of angels in the spandrils. The central saint is accompanied by two small kneeling donors; the other four are the Aquileian virgins. In the south transept is a sarcophagus on four Romanesque columns with twisted pillars at the corners, and the sides of the central subject (S. Hermagoras, with the four virgins small, on their knees, and the hand of God above). The spaces between are inlaid with red marble. The caps appear to be of the fourteenth century, the period of the foliage cornice. As a consequence of the earthquake of January 25, 1348, a good part of the church fell down on October 19. Constant wars prevented the patriarch from having money to spend on its restoration. A document of 1354 reveals a lamentable state of things--the population was but 100--worshippers did not come, and the clergy had fled to save themselves from sickness and death; no one came to the services of Holy Week because the roads were under water, &c.; with a final request that Udine might be named as the seat of the patriarchate. The rebuilding was commenced under Lodovico della Torre (1360) and finished under Marquard da Randeck (1365-1380), the architect being unknown. At this time the nave arcade was made pointed, and some of the super-abaci carved with Gothic foliage. After Venice had expropriated the patriarch (in 1420) money was spent upon the cathedral. In 1479 the choir seats were renewed. In 1493, under Nicolo Donato, the winter choir was renewed. In 1495 the high-altar was erected, upon which Antonio di Osteno, Bernardino di Bissone, and Domenico di Udine were employed. Work was also done in the crypt, in connection with the better preservation of the relics of some saints. In 1498 the tribune appears to have been made, under Domenico Grimani. This is a very decorative arrangement, with a central feature, flanked by two flights of steps, and side platforms furnished with a balustrade, which project some way into the transepts, and are carved elaborately with graceful arabesques. In the centre below is a niche with shell-head and grated window, through which the inside of the crypt is visible. To the right is a ciborium altar, with a relief of Christ in the tomb half-length, supported by the Virgin and S. John, flanked by two scroll-bearing angels. An inscription describes it as an oratory, where relics of the saints are venerated. The pillars bear an architrave--a shell-he ad bene
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