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understanding it, has received a new sensation. In Lowell the American mind has for the first time flowered out into thoroughly original genius. There is an airy grace about the best pieces of Washington Irving, which has no parallel amongst English writers, however closely modelled may be his style upon that of the Addisonian age. There is much original power, which will perhaps be better appreciated at a future day, about Fenimore Cooper's delineations of the physical and spiritual border-land, between white and red, between civilization and savagery. There is dramatic power of a high order about Mr. Hawthorne, though mixed with a certain morbidness and bad taste, which debar him from ever attaining to the first rank. There is an originality of position about Mr. Emerson, in his resolute setting up of King Self against King Mob, which, coupled with a singular metallic glitter of style, and plenty of shrewd New England mother-wit, have made up together one of the best counterfeits of genius that has been seen for many a day; so good, indeed, that most men are taken by it for the first quarter of an hour at the least. But for real unmistakable genius,--for that glorious fulness of power which knocks a man down at a blow for sheer admiration, and then makes him rush into the arms of the knocker-down, and swear eternal friendship with him for sheer delight; the "Biglow Papers" stand alone. If I sought to describe their characteristics, I should say, the most exuberant and extravagant humour, coupled with strong, noble, Christian purpose,--a thorough scorn for all that is false and base, all the more withering because of the thorough geniality of the writer. Perhaps Jean Paul is of all the satirists I have named the one who at bottom presents most affinity with Lowell, but the differences are marked. The intellectual sphere of the German is vaster, but though with certain aims before him, he rather floats and tumbles about like a porpoise at play than follows any direct perceptible course. With Lowell, on the contrary, every word tells, every laugh is a blow; as if the god Momus had turned out as Mars, and were hard at work fighting every inch of him, grinning his broadest all the while. Will some English readers be shocked by this combination of broad and keen humour with high Christian purpose--the association of humour and Christianity? I hope not. At any rate, I would remind any such of Luther, and of our own Lat
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