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and enjoyed considerable vogue. It has indeed been freely adopted by numerous poets from that early date down to the present day; but since the 2nd century B.C. it has been displaced from pre-eminence by the seven-word and five-word measures which are now, after much refinement, the accepted standards for Chinese poetry. The origin of the seven-word metre is lost in remote antiquity; the five-word metre was elaborated under the master-hand of Mei Sheng, who died 140 B.C. Passing over seven centuries of growth, we reach the T'ang dynasty, A.D. 618-905, the most brilliant epoch in the history of Chinese poetry. These three hundred years produced an extraordinarily large number of great poets, and an output of verse of almost incredible extent. In 1707 an anthology of the T'ang poets was published by Imperial order; it ran to nine hundred books or sections, and contained over forty-eight thousand nine hundred separate poems. A copy of this work is in the Chinese department of the University Library at Cambridge. It was under the T'ang dynasty that a certain finality was reached in regard to the strict application of the tones to Chinese verse. For the purposes of poetry, all words in the language were ranged under one or the other of two tones, the _even_ and the _oblique_, the former now including the two even tones, of which prior to the 11th century there was only one, and the latter including the rising, sinking and entering tones of ordinary speech. The incidence of these tones, which may be roughly described as sharps and flats, finally became fixed, just as the incidence of certain feet in Latin metres came to be governed by fixed rules. Thus, reading downward from right to left, as in Chinese, a five-word stanza may run: Sharp Flat Flat Sharp sharp flat flat sharp flat sharp flat sharp o o o o flat sharp sharp flat sharp flat sharp flat A seven-word stanza may run: Flat Sharp Sharp flat sharp sharp flat sharp flat flat sharp sharp flat flat sharp o o o o flat sharp flat flat flat sharp sharp flat sharp flat sharp sharp The above are only two me
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