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enty volumes, 8vo, of four hundred pages to each. Among its contents we find the following. A handbook of phraseology, with explanations; a short account of fabulous regions to the N., S., E. and W.; notes on the plants and trees of southern countries; biographical sketches of ninety-two wonderful personages; an account of the choice of an empress, with standard measurements of the height, length of limb, &c., of the ideal woman; "Pillow Notes" (a term borrowed by the Japanese), or jottings on various subjects, ranging from the Creation to an account of Fusang, a country where the trees are thousands of feet high and of vast girth, thus supporting the California, as opposed to the Mexico, identification of Fusang; critiques on the style of various poets, and on the indebtedness of each to earlier writers; a list of the most famous bronze vessels cast by early emperors, with their dimensions, inscriptions, &c.; a treatise on the bamboo; a list of famous swords, with dates of forging and inscriptions; an account of the old Mongol palace, previous to its destruction by the first Ming emperor; notes on the wild tribes of China; historical episodes; biographical notices of one hundred and four poets of the present dynasty; notes on archaeological, supernatural and other topics, first published in the 9th century; notes for bibliophiles on the care of books, and on paper, ink, pictures and bric-a-brac; a collection of famous criminal cases; night thoughts suggested by a meteor. Add to the above, numerous short stories relating to magic, dreams, bilocation, and to almost every possible phase of supernatural manifestation, and the reader will have some idea of what he may expect in an ordinary "library" of a popular character. It must always be remembered that with the Chinese, style is of paramount importance. Documents, the subject-matter of which would be recognized to be of no educative value, would still be included, if written in a pleasing style, such as might be serviceable as a model. _Individual Authors_.--In a similar manner it has always been customary for relatives or friends, sometimes for the trade, to publish the "complete works" of important and often unimportant writers; usually, soon after death. And as literary distinction has hitherto almost invariably led to high office under the state, the collected works of the great majority of aut
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