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The Project Gutenberg EBook of The Nabob, Volume 1 (of 2), by Alphonse Daudet This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Nabob, Volume 1 (of 2) Author: Alphonse Daudet Commentator: Brander Matthews Translator: George Burnham Ives Release Date: February 22, 2007 [EBook #20646] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE NABOB, VOLUME 1 (OF 2) *** Produced by Juliet Sutherland and the Online Distributed Proofreading Team at http://www.pgdp.net [Illustration: "'_Take away your flowers, my dear._'"] THE NABOB BY ALPHONSE DAUDET TRANSLATED BY GEORGE BURNHAM IVES WITH AN INTRODUCTION BY BRANDER MATTHEWS IN TWO VOLUMES VOL. I. BOSTON LITTLE, BROWN, AND COMPANY 1902 _Copyright, 1898_, By Little, Brown, and Company. _All rights reserved._ University Press: John Wilson and Son, Cambridge, U.S.A. PUBLISHER'S NOTE TO FRENCH EDITION We have been informed that at the time of the publication of _The Nabob_ in serial form, the government of Tunis was offended at the introduction therein of individuals whom the author dressed in names and costumes peculiar to that country. We are authorized by M. Alphonse Daudet to declare that those scenes in the book which relate to Tunis are entirely imaginary, and that he never intended to introduce any of the functionaries of that state. ALPHONSE DAUDET. Alphonse Daudet is one of the most richly gifted of modern French novelists and one of the most artistic; he is perhaps the most delightful; and he is certainly the most fortunate. In his own country earlier than any of his contemporaries he saw his stories attain to the very wide circulation that brings both celebrity and wealth. Beyond the borders of his own language he swiftly won a popularity both with the broad public and with the professed critics of literature, second only to that of Victor Hugo and still surpassing that of Balzac, who is only of late beginning to receive from us the attention he has so long deserved. Daudet has had the rare luck of pleasing partisans of almost every school; the realists have joyed in his work and so have the
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