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she must be in the right, as against one who barely knew his own language and a little Latin. Motte was, therefore, thought by most people to have come off second best. For, as soon as ever he opened thus--'Madame, it seems to me that, agreeably to all common sense or common decorum, the Greek poet should here'----instantly, without listening to his argument, the intrepid Amazon replied ([Greek: hypodra idousa]), 'You foolish man! you remarkably silly man!--_that_ is because you know no better; and the reason you know no better, is because you do not understand _ton d'apameibomenos_ as I do.' _Ton d'apameibomenos_ fell like a hand-grenade amongst Motte's papers, and blew him up effectually in the opinion of the multitude. No matter what he might say in reply--no matter how reasonable, how unanswerable--that one spell of 'No Greek! no Greek!' availed as a talisman to the lady both for offence and defence; and refuted all syllogisms and all eloquence as effectually as the cry of _A la lanterne!_ in the same country some fourscore years after. So it will always be. Those who (like Madame Dacier) possess no accomplishment _but_ Greek, will, of necessity, set a superhuman value upon that literature in all its parts, to which their own narrow skill becomes an available key. Besides that, over and above this coarse and conscious motive for overrating that which reacts with an equal and answerable overrating upon their own little philological attainments, there is another agency at work, and quite unconsciously to the subjects of that agency, in disturbing the sanity of any estimate they may make of a foreign literature. It is the habit (well known to psychologists) of transferring to anything created by our own skill, or which reflects our own skill, as if it lay causatively and objectively[3] in the reflecting thing itself, that pleasurable power which in very truth belongs subjectively[3] to the mind of him who surveys it, from conscious success in the exercise of his own energies. Hence it is that we see daily without surprise, young ladies hanging enamoured over the pages of an Italian author, and calling attention to trivial commonplaces, such as, clothed in plain mother English, would have been more repulsive to them than the distinctions of a theologian, or the counsels of a great-grandmother. They mistake for a pleasure yielded by the author, what is in fact the pleasure attending their own success in mastering what
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