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, friendly, free, and intimate nature; they were like the members of a large family. By them, love was not considered a weakness but a mark of the elevation of the soul, and every man had to be sensitive to beauty. When the Duchesse d'Aiguillon presented to society her nephew, who later became the Duke of Richelieu, she advised and encouraged him to complete his education and make of himself an _honnete homme_ by association with the elder Mlle. du Vigean and other women; the object of this procedure was to polish his manners, elevate his instincts, and develop ease in deportment toward the ladies. There was no hint of the vulgar or licentious pleasures which became the characteristics of love in the eighteenth century. The woman who inaugurated the movement toward purity of morals, decency of language, polish of manners, and courtesy to woman, was Mme. de Rambouillet. Catherine de Vivonne, Marquise de Rambouillet, whose mother was a great Roman lady and whose father had been ambassador to Rome, inherited that pride of race and independence of spirit for which she was so well known. In 1600, she was married, at the age of twelve, to the Marquis de Rambouillet who was her senior by eleven years, but who treated her with deference and respect rare at that time. Husband and wife were perfectly congenial, and their happy and peaceful life was a great contrast to that led by the majority of the married couples of the day. Absolutely irreproachable in conduct, she set a worthy example for all women who knew her. Her high ideals, independence of character, family duties, and the general debauchery, which was incompatible with her rigid chastity and "precocious wisdom," caused her to withdraw from the court in 1608; two years later, she decided to open her salon to such aristocratic and cultured persons as appreciated womanly grace, wit, and taste. Her familiarity with Italian and Spanish history and art placed her at the head of intellectual as well as moral movements. She surrounded herself with the distinguished men and women of the day, and her salon, which in every detail was decorated and arranged for pleasure, immediately became, through the exquisite charm with which she presided, the one goal of the cultured; her blue room was the sanctuary of polite society and she was its high priestess. The highest ambition of the _habitue_ of the salon was to sing, dance, and converse artistically and with refinement. A reacti
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