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t was about the only social gathering point where culture and morality were the primary requisites. As she advanced in years, she became even more influential. After her death in 1733, her salon ceased to exist, but others, patterned after hers, soon sprang up; to those, her friends attached themselves--Fontenelle frequented several, Henault became the leader of that of Mme. du Deffand. The finest resume that can be given of Mme. de Lambert, is found in the letters of the Marquis d'Argenson: "Her works contain a complete course in the most perfect morals for the use of the world and the present time. Some affectation of the _preciosite_ is found; but, what beautiful thoughts, what delicate sentiments! How well she speaks of the duties of women, of friendship, of old age, of the difference between actual character and reputation!" The salon of Mme. de Lambert forms a period of transition from the seventeenth century type in which elegance, politeness, courtesy, and morality were the first requisites, to the eighteenth century salon in which _esprit_ and wit were the essentials demanded. It retained the dignity, discipline, refinement, and sentiments of morality of the Hotel de Rambouillet; it showed, also, the first signs of pure intellectuality. The salons to follow, will exhibit decidedly different characteristics. Chapter V Mistresses and Wives of Louis XIV The story of the wives and mistresses of Louis XIV., embraces that which is most dramatic morally (or immorally dramatic) in the history of French women. The record of the eighteenth century heroines is essentially a tragic one, while that of those of the previous century is essentially dramatic in its sadness, remorse, and repentance. The mistress, as a rule, was unhappy; there were few months during the period of her glory, in which she was entirely free from anxiety or in which her conscience was at rest. Mme. de Montespan "was for so many years the sick nurse of a soul worn out with pride, passion, and glory." Mme. de Maintenon wrote to one of her friends: "Why cannot I give you my experience? Why cannot I make you comprehend the ennui which devours the great, and the troubles that fill their days? Do you not see that I am dying of sadness, in a fortune the vastness of which could not be easily imagined? I have been young and pretty; I have enjoyed pleasures; I have spent years in intellectual intercourse; I have attained favor; and I prote
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