d as play-right. That is what the artist has got to see; and he
has got to see that while the Irish Revolution for centuries has
attracted the greatest hearts and brains of Ireland, for him carefully
to avoid it is to avoid the line of greatness. For a propagandist to sit
down to give it utterance would be as if a handy-man were to set out to
build a cathedral. The Revolution does not need to be argued; it
justifies itself--all we need is to give it utterance--give it utterance
once greatly. Then the writer may proceed to give utterance to every
good thing under the sun. But our artists are making, and will continue
to make, only second-class literature, for they are afraid of the
Revolution, and it is all over our best of life; they are afraid of that
life. But to enter the arena of greatness they must give it a voice.
That is the vocation of the poet.
VIII
Yes, and the poet will be unlike you, gentlemen of the fastidious
phrase. He will not be careless of form, but the passion that is in him
will make simple words burn and live; never will he in the mode of the
time go wide of the truth to make a picturesque phrase; his mind rapt on
the thing will fix on the true word; his heart warm with the battle will
fashion more beautiful forms than you, O detached and dainty artist; his
soul full of music and adventure will scale those heights it is your
fate to dream of but not your fortune to possess. Yet, you, too, might
possess them would you but step with him into the press of adventurous
legions, and make articulate the dream of men, and make splendid their
triumph. He is the prophet of to-morrow, though you deny him to-day. He
is not like to you, supercilious and aloof--he would have you for a
passionate brother, would raise your spirit in ecstasy, flood your mind
with thought, and touch your lips with fire. Because of his
sensitiveness he knows every mood and every heart and gives a voice and
a song to all. You might know him for a good comrade, where freedom is
to win or to hold, over in the van or the breach; able to deal good
blows and take them in the fine manner, a fine fighter; not with
darkened brow crying, "an eye for an eye"--for who _could_ give him
blow for blow or match his deed with a deed?--but one of open front and
open hand who will count it happiness to have made for a victory he may
not live to enjoy, as ready to die in its splendour as he had been to
live through the darkness before the dawn; re
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