one or so of
Marlow's, and all of Ibsen's and Maeterlinck's. The taste for the old
English dramatists I believe I have never formed.

Criticism, ever since I filled myself so full of it in my boyhood, I have
not cared for, and often I have found it repulsive.

I have a fondness for books of popular science, perhaps because they too
are part of the human story.

I have read somewhat of the theology of the Swedenborgian faith I was
brought up in, but I have not read other theological works; and I do not
apologize for not liking any. The Bible itself was not much known to me
at an age when most children have been obliged to read it several times
over; the gospels were indeed familiar, and they have always been to me
the supreme human story; but the rest of the New Testament I had not read
when a man grown, and only passages of the Old Testament, like the story
of the Creation, and the story of Joseph, and the poems of Job and
Ecclesiastes, with occasional Psalms. I therefore came to the Scriptures
with a sense at once fresh and mature, and I can never be too glad that I
learned to see them under the vaster horizon and in the truer
perspectives of experience.

Again as lights on the human story I have liked to read such books of
medicine as have fallen in my way, and I seldom take up a medical
periodical without reading of all the cases it describes, and in fact
every article in it.

But I did not mean to make even this slight departure from the main
business of these papers, which is to confide my literary passions to the
reader; he probably has had a great many of his own. I think I may class
the "Ring and the Book" among them, though I have never been otherwise a
devotee of Browning. But I was still newly home from Italy, or away from
home, when that poem appeared, and whether or not it was because it took
me so with the old enchantment of that land, I gave my heart promptly to
it. Of course, there are terrible longueurs in it, and you do get tired
of the same story told over and over from the different points of view,
and yet it is such a great story, and unfolded with such a magnificent
breadth and noble fulness, that one who blames it lightly blames himself
heavily. There are certain books of it--"Caponsacchi's story,"
"Pompilia's story," and "Count Guido's story"--that I think ought to rank
with the greatest poetry ever written, and that have a direct, dramatic
expression of the fact and character, which is with