sible theory I can think of.

I wish also to note another incident, which may or may not have its
psychological value. An important event of these years was a long
sickness which kept me helpless some seven or eight weeks, when I was
forced to read in order to pass the intolerable time. But in this misery
I found that I could not read anything of a dramatic cast, whether in the
form of plays or of novels. The mere sight of the printed page, broken
up in dialogue, was anguish. Yet it was not the excitement of the
fiction that I dreaded, for I consumed great numbers of narratives of
travel, and was not in the least troubled by hairbreadth escapes, or
shipwrecks, or perils from wild beasts or deadly serpents; it was the
dramatic effect contrived by the playwright or novelist, and worked up to
in the speech of his characters that I could not bear. I found a like
impossible stress from the Sunday newspaper which a mistaken friend sent
in to me, and which with its scare-headings, and artfully wrought
sensations, had the effect of fiction, as in fact it largely was.

At the end of four years we went abroad again, and travel took away the
appetite for reading as completely as writing did. I recall nothing read
in that year in Europe which moved me, and I think I read very little,
except the local histories of the Tuscan cities which I afterwards wrote
of.

XXXIV. VALDES, GALDOS, VERGA, ZOLA, TROLLOPE, HARDY

In fact, it was not till I returned, and took up my life again in Boston,
in the old atmosphere of work, that I turned once more to books. Even
then I had to wait for the time when I undertook a critical department in
one of the magazines, before I felt the rise of the old enthusiasm for an
author. That is to say, I had to begin reading for business again before
I began reading for pleasure. One of the first great pleasures which I
had upon these terms was in the book of a contemporary Spanish author.
This was the 'Marta y Maria' of Armando Palacio Valdes, a novelist who
delights me beyond words by his friendly and abundant humor, his feeling
for character, and his subtle insight. I like every one of his books
that I have read, and I believe that I have read nearly every one that he
has written. As I mention 'Riverito, Maximina, Un Idilio de un Inferno,
La Hermana de San Sulpizio, El Cuarto Poder, Espuma,' the mere names
conjure up the scenes and events that have moved me to tears and
laughter, and filled me with a