we ought to reform
them, or rather transform them, or turn them from the assumption of
authority to a realization of their true function in the civilized state.
They are no worse at heart, probably, than many others, and there are
probably good husbands and tender fathers, loving daughters and careful
mothers, among them.

It is evident to any student of human nature that the critic who is
obliged to sign his review will be more careful of an author's feelings
than he would if he could intangibly and invisibly deal with him as the
representative of a great journal. He will be loath to have his name
connected with those perversions and misstatements of an author's meaning
in which the critic now indulges without danger of being turned out of
honest company. He will be in some degree forced to be fair and just
with a book he dislikes; he will not wish to misrepresent it when his sin
can be traced directly to him in person; he will not be willing to voice
the prejudice of a journal which is "opposed to the books" of this or
that author; and the journal itself, when it is no longer responsible for
the behavior of its critic, may find it interesting and profitable to
give to an author his innings when he feels wronged by a reviewer and
desires to right himself; it may even be eager to offer him the
opportunity. We shall then, perhaps, frequently witness the spectacle of
authors turning upon their reviewers, and improving their manners and
morals by confronting them in public with the errors they may now commit
with impunity. Many an author smarts under injuries and indignities
which he might resent to the advantage of literature and civilization,
if he were not afraid of being browbeaten by the journal whose nameless
critic has outraged him.

The public is now of opinion that it involves loss of dignity to creative
talent to try to right itself if wronged, but here we are without the
requisite statistics. Creative talent may come off with all the dignity
it went in with, and it may accomplish a very good work in demolishing
criticism.

In any other relation of life the man who thinks himself wronged tries to
right himself, violently, if he is a mistaken man, and lawfully if he is
a wise man or a rich one, which is practically the same thing. But the
author, dramatist, painter, sculptor, whose book, play, picture, statue,
has been unfairly dealt with, as he believes, must make no effort to
right himself with the public; he