ealed the lives and habits of every dweller
in the house,--bits of printed cottons, tea-leaves, artificial
flower-petals faded and worthless, vegetable parings, papers, scraps of
metal. At every sweep of her broom the old woman bared the soul of the
gutter, that black fissure on which a porter's mind is ever bent. The
poor lover examined this scene, like a thousand others which our heaving
Paris presents daily; but he examined it mechanically, as a man absorbed
in thought, when, happening to look up, he found himself all but nose to
nose with a man who had just entered the gateway.

In appearance this man was a beggar, but not the Parisian beggar,--that
creation without a name in human language; no, this man formed another
type, while presenting on the outside all the ideas suggested by
the word "beggar." He was not marked by those original Parisian
characteristics which strike us so forcibly in the paupers whom Charlet
was fond of representing, with his rare luck in observation,--coarse
faces reeking of mud, hoarse voices, reddened and bulbous noses, mouths
devoid of teeth but menacing; humble yet terrible beings, in whom a
profound intelligence shining in their eyes seems like a contradiction.
Some of these bold vagabonds have blotched, cracked, veiny skins; their
foreheads are covered with wrinkles, their hair scanty and dirty, like
a wig thrown on a dust-heap. All are gay in their degradation, and
degraded in their joys; all are marked with the stamp of debauchery,
casting their silence as a reproach; their very attitude revealing
fearful thoughts. Placed between crime and beggary they have no
compunctions, and circle prudently around the scaffold without mounting
it, innocent in the midst of crime, and vicious in their innocence. They
often cause a laugh, but they always cause reflection. One represents
to you civilization stunted, repressed; he comprehends everything, the
honor of the galleys, patriotism, virtue, the malice of a vulgar crime,
or the fine astuteness of elegant wickedness. Another is resigned, a
perfect mimer, but stupid. All have slight yearnings after order and
work, but they are pushed back into their mire by society, which makes
no inquiry as to what there may be of great men, poets, intrepid souls,
and splendid organizations among these vagrants, these gypsies of Paris;
a people eminently good and eminently evil--like all the masses who
suffer--accustomed to endure unspeakable woes, and whom a f