se in Monsieur de Maulincour
to one of those vagabond reveries which begin with a common question and
end by comprising a world of thought. The storm was past. Monsieur de
Maulincour presently saw no more of the man than the tail of his coat
as it brushed the gate-post, but as he turned to leave his own place
he noticed at his feet a letter which must have fallen from the unknown
beggar when he took, as the baron had seen him take, a handkerchief from
his pocket. The young man picked it up, and read, involuntarily, the
address: "To Monsieur Ferragusse, Rue des Grands-Augustains, corner of
rue Soly."
The letter bore no postmark, and the address prevented Monsieur de
Maulincour from following the beggar and returning it; for there are few
passions that will not fail in rectitude in the long run. The baron
had a presentiment of the opportunity afforded by this windfall. He
determined to keep the letter, which would give him the right to enter
the mysterious house to return it to the strange man, not doubting that
he lived there. Suspicions, vague as the first faint gleams of daylight,
made him fancy relations between this man and Madame Jules. A jealous
lover supposes everything; and it is by supposing everything and
selecting the most probable of their conjectures that judges, spies,
lovers, and observers get at the truth they are looking for.
"Is the letter for him? Is it from Madame Jules?"
His restless imagination tossed a thousand such questions to him;
but when he read the first words of the letter he smiled. Here it
is, textually, in all the simplicity of its artless phrases and its
miserable orthography,--a letter to which it would be impossible to add
anything, or to take anything away, unless it were the letter itself.
But we have yielded to the necessity of punctuating it. In the original
there were neither commas nor stops of any kind, not even notes of
exclamation,--a fact which tends to undervalue the system of notes
and dashes by which modern authors have endeavored to depict the great
disasters of all the passions:--
Henry,--Among the manny sacrifisis I imposed upon myself for your
sake was that of not giving you anny news of me; but an
iresistible voise now compells me to let you know the wrong you
have done me. I know beforehand that your soul hardened in vise
will not pitty me. Your heart is deaf to feeling. Is it deaf to
the cries of nature? But what matter? I must tell you to what
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