was Ferragus, and to Ferragus all the threads of
this strange plot led. The Gordian knot of the drama, already so bloody,
was surely in a meeting between Madame Jules, her husband, and that man;
and a blade able to cut the closest of such knots would not be wanting.

The house was one of those which belong to the class called
_cabajoutis_. This significant name is given by the populace of Paris
to houses which are built, as it were, piecemeal. They are nearly
always composed of buildings originally separate but afterwards united
according to the fancy of the various proprietors who successively
enlarge them; or else they are houses begun, left unfinished, again
built upon, and completed,--unfortunate structures which have passed,
like certain peoples, under many dynasties of capricious masters.
Neither the floors nor the windows have an _ensemble_,--to borrow one of
the most picturesque terms of the art of painting; all is discord, even
the external decoration. The _cabajoutis_ is to Parisian architecture
what the _capharnaum_ is to the apartment,--a poke-hole, where the most
heterogeneous articles are flung pell-mell.

"Madame Etienne?" asked Jules of the portress.

This portress had her lodge under the main entrance, in a sort of
chicken coop, or wooden house on rollers, not unlike those sentry-boxes
which the police have lately set up by the stands of hackney-coaches.

"Hein?" said the portress, without laying down the stocking she was
knitting.

In Paris the various component parts which make up the physiognomy of
any given portion of the monstrous city, are admirably in keeping with
its general character. Thus porter, concierge, or Suisse, whatever name
may be given to that essential muscle of the Parisian monster, is always
in conformity with the neighborhood of which he is a part; in fact,
he is often an epitome of it. The lazy porter of the faubourg
Saint-Germain, with lace on every seam of his coat, dabbles in stocks;
he of the Chaussee d'Antin takes his ease, reads the money-articles
in the newspapers, and has a business of his own in the faubourg
Montmartre. The portress in the quarter of prostitution was formerly a
prostitute; in the Marais, she has morals, is cross-grained, and full of
crotchets.

On seeing Monsieur Jules this particular portress, holding her knitting
in one hand, took a knife and stirred the half-extinguished peat in her
foot-warmer; then she said:--

"You want Madame Etienne; do