assionately, for he felt all its pleasures and all its misery. He went
disguised about Paris, watching at the corners of the rue Pagevin and
the rue des Vieux-Augustins. He hurried like a hunter from the rue de
Menars to the rue Soly, and back from the rue Soly to the rue de Menars,
without obtaining either the vengeance or the knowledge which would
punish or reward such cares, such efforts, such wiles. But he had not
yet reached that impatience which wrings our very entrails and makes us
sweat; he roamed in hope, believing that Madame Jules would only refrain
for a few days from revisiting the place where she knew she had been
detected. He devoted the first days therefore, to a careful study of
the secrets of the street. A novice at such work, he dared not question
either the porter or the shoemaker of the house to which Madame Jules
had gone; but he managed to obtain a post of observation in a house
directly opposite to the mysterious apartment. He studied the ground,
trying to reconcile the conflicting demands of prudence, impatience,
love, and secrecy.

Early in the month of March, while busy with plans by which he expected
to strike a decisive blow, he left his post about four in the afternoon,
after one of those patient watches from which he had learned nothing.
He was on his way to his own house whither a matter relating to
his military service called him, when he was overtaken in the rue
Coquilliere by one of those heavy showers which instantly flood the
gutters, while each drop of rain rings loudly in the puddles of the
roadway. A pedestrian under these circumstances is forced to stop short
and take refuge in a shop or cafe if he is rich enough to pay for
the forced hospitality, or, if in poorer circumstances, under a
_porte-cochere_, that haven of paupers or shabbily dressed persons. Why
have none of our painters ever attempted to reproduce the physiognomies
of a swarm of Parisians, grouped, under stress of weather, in the damp
_porte-cochere_ of a building? First, there's the musing philosophical
pedestrian, who observes with interest all he sees,--whether it be the
stripes made by the rain on the gray background of the atmosphere (a
species of chasing not unlike the capricious threads of spun glass), or
the whirl of white water which the wind is driving like a luminous
dust along the roofs, or the fitful disgorgements of the gutter-pipes,
sparkling and foaming; in short, the thousand nothings to be admired an