to his own great strength and to the other's physical
weakness.

At this point, since Lorenzino is the principal actor in the two-act
drama which follows, it will be well to introduce him to the reader in
the words of Varchi, who was personally acquainted with him. Born at
Florence in 1514, he was left early by his father's death to the
sole care of his mother, Maria Soderini, 'a lady of rare prudence
and goodness, who attended with the utmost pains and diligence to his
education. No sooner, however, had he acquired the rudiments of humane
learning, which, being of very quick parts, he imbibed with incredible
facility, than he began to display a restless mind, insatiable and
appetitive of vice. Soon afterwards, under the rule and discipline of
Filippo Strozzi, he made open sport of all things human and divine;
and preferring the society of low persons, who not only flattered him
but were congenial to his tastes, he gave free rein to his desires,
especially in affairs of love, without regard for sex or age or
quality, and in his secret soul, while he lavished feigned caresses
upon every one he saw, felt no esteem for any living being. He
thirsted strangely for glory, and omitted no point of deed or word
that might, he thought, procure him the reputation of a man of spirit
or of wit. He was lean of person, somewhat slightly built, and on
this account people called him Lorenzino. He never laughed, but had a
sneering smile; and although he was rather distinguished by grace than
beauty, his countenance being dark and melancholy, still in the flower
of his age he was beloved beyond all measure by Pope Clement; in spite
of which he had it in his mind (according to what he said himself
after killing the Duke Alessandro) to have murdered him. He brought
Francesco di Raffaello de' Medici, the Pope's rival, who was a young
man of excellent attainments and the highest hope, to such extremity
that he lost his wits, and became the sport of the whole court at
Rome, and was sent back, as a lesser evil, as a confirmed madman to
Florence.' Varchi proceeds to relate how Lorenzino fell
into disfavour with the Pope and the Romans by chopping the heads off
statues from the arch of Constantine and other monuments; for which
act of vandalism Molsa impeached him in the Roman Academy, and a price
was set upon his head. Having returned to Florence, he proceeded
to court Duke Alessandro, into whose confidence he wormed himself,
pretending to play