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e is the greatest poetical genius who has not yet died in infancy._ _This is an astounding statement but it can be corroborated by admiring friends, for the writer is like a certain brand of children's food in that he is advertised by his loving friends._ _Speaking of "Alexander's Feast" it simply cannot be compared to any one of the finished, poetic gems in this collection because it is so utterly different. The difference is what made Dryden famous. But comparisons are odious, and Mr. Dryden has been dead several years._ _"But what," you may ask, "is the object of nonsense verse?" Most assuredly to make one laugh. That masterpiece of nonsense "Alice In Wonderland" and its companion volume "Through The Looking Class" are absurd books, but their very absurdity is what appeals to us most. Their author, Mr. Lewis Carroll was, in private life a very sober gentleman (at least we hope so). Nonsense is the salt of life with which we season the dry food of everyday cooking._ _"A little nonsense now and then Is relished by the wisest men."_ _Even serious old Longfellow had this feeling in his bones when he wrote the immortal lines which all of us recall from childhood:_ _"There was a little girl And she had a little curl Which hung way down on her forehead; And when she was good, She was very good indeed, But when she was bad, she was horrid."_ _This is nonsense pure and simple and even the most ardent admirers of Mr. Longfellow must, when they try to make "forehead" and "horrid" rhyme, admit that it was very poor verse for the author of "Evangeline."_ _Bret Harte flew off at a tangent when he wrote about "Ah Sin, The Chinaman," a nonsense poem that gave "Bill Nye" his pseudonym. Oliver Wendell Holmes wrote "The Wonderful One-Hoss Shay." Rudyard Kipling is often "caught with the goods on him" and Mark Twain wrote an "Ode to Stephen Dowling Botts."_ _And Great Scott! I almost forgot that even such a gentle, domestic creature as the cow has been the unconscious inspiration of much nonsense and has doubtless often chewed the bitter cud of reflection in deploring her undesired popularity. First she was forced (very much against her will, no doubt) to jump over the moon to the undignified strains of "Hey Diddle, Diddle." Then, just when beginning to breathe easily again after that astounding performance, Gelett Burgess came along and gave her more notoriety by raising th
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