ug from
the earth like Pompeii; but their exact age or who made them can only be
conjectured. But worn, and cracked, without a history, and with the
blemishing stains of numberless centuries upon them, they still mutely
mock at all efforts to rival their perfections.

It was a quaint and curious pastime, wandering through this old silent
city of the dead--lounging through utterly deserted streets where
thousands and thousands of human beings once bought and sold, and walked
and rode, and made the place resound with the noise and confusion of
traffic and pleasure. They were not lazy. They hurried in those days.
We had evidence of that. There was a temple on one corner, and it was a
shorter cut to go between the columns of that temple from one street to
the other than to go around--and behold that pathway had been worn deep
into the heavy flagstone floor of the building by generations of
time-saving feet! They would not go around when it was quicker to go
through. We do that way in our cities.

Every where, you see things that make you wonder how old these old houses
were before the night of destruction came--things, too, which bring back
those long dead inhabitants and place the living before your eyes. For
instance: The steps (two feet thick--lava blocks) that lead up out of the
school, and the same kind of steps that lead up into the dress circle of
the principal theatre, are almost worn through! For ages the boys
hurried out of that school, and for ages their parents hurried into that
theatre, and the nervous feet that have been dust and ashes for eighteen
centuries have left their record for us to read to-day. I imagined I
could see crowds of gentlemen and ladies thronging into the theatre, with
tickets for secured seats in their hands, and on the wall, I read the
imaginary placard, in infamous grammar, "POSITIVELY NO FREE LIST, EXCEPT
MEMBERS OF THE PRESS!" Hanging about the doorway (I fancied,) were
slouchy Pompeiian street-boys uttering slang and profanity, and keeping a
wary eye out for checks. I entered the theatre, and sat down in one of
the long rows of stone benches in the dress circle, and looked at the
place for the orchestra, and the ruined stage, and around at the wide
sweep of empty boxes, and thought to myself, "This house won't pay." I
tried to imagine the music in full blast, the leader of the orchestra
beating time, and the "versatile" So-and-So (who had "just returned from
a most succes