red years old,
and unsightly enough to be very, very much older. Its immense dome is
said to be more wonderful than St. Peter's, but its dirt is much more
wonderful than its dome, though they never mention it. The church has a
hundred and seventy pillars in it, each a single piece, and all of costly
marbles of various kinds, but they came from ancient temples at Baalbec,
Heliopolis, Athens and Ephesus, and are battered, ugly and repulsive.
They were a thousand years old when this church was new, and then the
contrast must have been ghastly--if Justinian's architects did not trim
them any. The inside of the dome is figured all over with a monstrous
inscription in Turkish characters, wrought in gold mosaic, that looks as
glaring as a circus bill; the pavements and the marble balustrades are
all battered and dirty; the perspective is marred every where by a web of
ropes that depend from the dizzy height of the dome, and suspend
countless dingy, coarse oil lamps, and ostrich-eggs, six or seven feet
above the floor. Squatting and sitting in groups, here and there and far
and near, were ragged Turks reading books, hearing sermons, or receiving
lessons like children. And in fifty places were more of the same sort
bowing and straightening up, bowing again and getting down to kiss the
earth, muttering prayers the while, and keeping up their gymnastics till
they ought to have been tired, if they were not.

Every where was dirt, and dust, and dinginess, and gloom; every where
were signs of a hoary antiquity, but with nothing touching or beautiful
about it; every where were those groups of fantastic pagans; overhead the
gaudy mosaics and the web of lamp-ropes--nowhere was there any thing to
win one's love or challenge his admiration.

The people who go into ecstasies over St. Sophia must surely get them out
of the guide-book (where every church is spoken of as being "considered
by good judges to be the most marvelous structure, in many respects, that
the world has ever seen.") Or else they are those old connoisseurs from
the wilds of New Jersey who laboriously learn the difference between a
fresco and a fire-plug and from that day forward feel privileged to void
their critical bathos on painting, sculpture and architecture forever
more.

We visited the Dancing Dervishes. There were twenty-one of them. They
wore a long, light-colored loose robe that hung to their heels. Each in
his turn went up to the priest (they were al