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is point the play begins. Hamlet, son of the murdered king, sick at heart at his mother's hasty re-marriage, and troubled by his love for Ophelia, returns to Denmark. The ghost of his father reveals the manner of the murder to him, and makes him swear to be revenged. The revelation so affects him that the murderers begin to fear him. He cannot bring himself to kill Claudius. In a play he shows them that he knows their guilt. While speaking with his mother, he discovers and kills a spy hidden behind the arras. The spy is Polonius, father of Laertes and of Ophelia. Claudius causes Hamlet to sail for England, on the pretext that the killing of Polonius has brought him into danger with the populace. He plans that Hamlet shall be killed on his arrival. Hamlet discovers the treacherous purpose and returns unhurt to Denmark. During Hamlet's absence at sea, Laertes learns how Polonius was killed and swears to be revenged on Hamlet. Hamlet's return gives him his opportunity. Claudius suggests that the revenge be taken at a fencing-bout. Laertes shall fence with Hamlet, using a poisoned foil. If this fails, Hamlet shall be given poisoned wine. In a scuffle during the fencing-bout the fencers change foils. Gertrude, by mistake, drinks the poisoned wine and dies. Laertes, hurt by the poisoned foil, dies. Hamlet, also hurt by the poisoned foil, kills Claudius and dies too. _Hamlet_ is the most baffling of the great plays. It is the tragedy of a man and an action continually baffled by wisdom. The man is too wise. The dual action, pressing in both cases to complete an event, cannot get past his wisdom into the world. The action in one case is a bad one. It is simply murder. In the other, and more important case, it is, according to our scheme, also a bad one. It is revenge, or, at best, the taking of blood for blood. In the Shakespearean scheme it is not revenge, it is justice, and therefore neither good nor bad but necessary. The situation which causes the tragedy is one very common in Shakespeare's system. Life has been wrenched from her course. Wrenching is necessary to bring her back to her course or to keep her where she is. Hamlet is a man who understands too humanly to wish to wrench either this way or that, and too shrewdly to be himself wrenched by grosser instruments of Fate. The ac
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