FREE BOOKS

Author's List




PREV.   NEXT  
|<   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78  
79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   >>   >|  
hich is a very clumsy and unscientific way of setting to work. The architects in such cases make use of the centrolinead, a clever mechanical contrivance for getting over the difficulty of the far-off vanishing point, but by the method I have shown you, and shall further illustrate, you will find that you can dispense with all this trouble, and do all your perspective either inside the picture or on a very small margin outside it. Perhaps another drawback to this method is that it is not self-evident, as in the former one, and being rather difficult to explain, the student is apt to take it on trust, and not to trouble about the reasons for its construction: but to show that it is equally correct, I will draw the two methods in one figure. LXIII TWO METHODS OF ANGULAR PERSPECTIVE IN ONE FIGURE [Illustration: Fig. 125.] It matters little whether the station-point is placed above or below the horizon, as the result is the same. In Fig. 125 it is placed above, as the lower part of the figure is occupied with the geometrical plan of the other method. In each case we make the square _K_ the same size and at the same angle, its near corner being at _A_. It must be seen that by whichever method we work out this perspective, the result is the same, so that both are correct: the great advantage of the first or geometrical system being, that we can place the square at any angle, as it is drawn without reference to vanishing points. We will, however, work out a few figures by the second method. LXIV TO DRAW A CUBE, THE POINTS BEING GIVEN As in a previous figure (124) we found the various working points of angular perspective, we need now merely transfer them to the horizontal line in this figure, as in this case they will answer our purpose perfectly well. [Illustration: Fig. 126.] Let _A_ be the nearest angle touching the base. Draw AV1, AV2. From _A_, raise vertical _Ae_, the height of the cube. From _e_ draw eV1, eV2, from the other angles raise verticals _bf_, _dh_, _cg_, to meet eV1, eV2, fV2, &c., and the cube is complete. LXV AMPLIFICATION OF THE CUBE APPLIED TO DRAWING A COTTAGE [Illustration: Fig. 127.] Note that we have started this figure with the cube _Adhefb_. We have taken three times _AB_, its width, for the front of our house, and twice _AB_ for the side, and have made it two cubes high, not counting the roof. Note also the use of the measuring-poi
PREV.   NEXT  
|<   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78  
79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   >>   >|  



Top keywords:

figure

 
method
 

Illustration

 
perspective
 

correct

 

points

 

result

 

geometrical

 

square

 

trouble


vanishing

 

DRAWING

 
COTTAGE
 

working

 

APPLIED

 

angular

 
measuring
 

Adhefb

 
figures
 

started


POINTS
 

transfer

 

previous

 

vertical

 

height

 

angles

 

verticals

 

reference

 

touching

 

answer


AMPLIFICATION

 

purpose

 

counting

 
horizontal
 
perfectly
 

complete

 

nearest

 
picture
 

margin

 

inside


dispense

 

Perhaps

 

difficult

 

explain

 

student

 
drawback
 

evident

 
illustrate
 

architects

 

setting