Veronese, 4.
Pavements, 64 [XXII], 66 [XXIV], 176 [CXIII], 178 [CXV],
180 [209],181 [CXVI], 183 [CXVII].
Pedestal, 141 [LXXXVI], 161 [CI].
Pentagon, 186 [CXX], 187 [217], 188 [219].
Perspective, Angular, 98 [XLIX] - 123 [LXXII].
" Definitions, 13 [I] - 23 [VI].
" Necessity of, 1.
" Parallel, 42 - 97 [XLVII].
" Rules and Conditions of, 24 [VII] - 41.
" Scientific definition of, 22 [VI].
" Theory of, 13 - 24 [VI].
" What is it? 6 - 12.
Pictures painted according to positions they are to occupy,
59 [XX].
Point of Distance, 16 [III] - 21 [IV].
" " Sight, 12, 15 [II].
Points in Space, 129 [LXXVIII], 137 [LXXXIII].
Portico, 111 [122].
Projection, 21 [V], 137.
Pyramid, 189 [CXXI], 190 [224], 191 [CXXII],
193 [CXXIII] - 196 [CXXV].

R
Raphael, 3.
Reduced distance, 77 [XXXIII], 78 [XXXIV], 79 [XXXV], 84 [90].
Reflection, 257 [CLXIV] - 268 [CLXIX].
Rembrandt, 59 [XX], 256.
Reynolds, Sir Joshua, 9, 60.
Rubens, 4.
Rules of Perspective, 24 - 41.

S
Scale on each side of Picture, 141 [LXXXVII],
142 [163] - 144 [164].
" Vanishing, 69 [XXVI], 71 [XXVII], 81 [XXXVI], 84 [90].
Serlio, 5, 126 [LXXV].
Shadows cast by sun, 229 [CXLVII] - 252 [CLXI].
" " " artificial light, 252 [CLXII].
Sight, Point of, 12, 15 [II].
Sistine Chapel, 60.
Solid figures, 135 [LXXXII] - 140 [LXXXV].
Square in Angular Perspective, 105 [LVI], 106 [LVII], 109 [120],
112 [LXII], 114 [LXIII], 121 [LXX], 122 [LXXI],
123 [LXXII], 133 [LXXX], 134 [LXXXI], 139 [LXXXV].
" and diagonals, 125 [LXXIV], 138 [LXXXIV], 139 [LXXXV],
141 [LXXXVI].
" of the hypotenuse (fig. 170), 149 [170].
" in Parallel Perspective, 42 [IX], 43 [X], 50 [XV],
53 [XVII], 54 [XIX].
" at 45 deg, 64 [XXII] - 66 [XXIV].
Staircase leading to a Gallery, 221 [CXLIII].
Stairs, Winding, 222 [CXLIV], 225 [CXLV].
Station Point, 13 [I].
Steps, 209 [CXXXIV] - 218 [CXLII].

T
Taddeo Gaddi, 5.
Terms made use of, 48 [XIII].
Tiles, 176 [CXIII], 178 [CXV], 181 [CXVI].
Tintoretto, 4.
Titian, 59 [XX], 262 [CLXVII].
Toledo, 96 [104], 144 [164], 259 [259], 288 [288].
Trace and projection, 21 [V]