are scarcely exceeded in diameter and altitude by the dome
of St. Peter's[3]; but in elegance of outline it immeasurably surpassed
all the other dagobas, and the beauty of its design is still perceptible
in its ruins after the lapse of two thousand years.
[Footnote 1: FERGUSON'S _Handbook of Architecture_, b. i. c. iii. p.
43.]
[Footnote 2: _Mahawanso_, ch. xvii. _The Rajavali_ calls it the
jaw-bone, p. 184.]
[Footnote 3: The Abhayagiri dagoba at Anarajapoora, built B.C. 89, was
originally 180 cubits high, which, taking the Ceylon cubit at 2 feet 3
inches, would be equal to 405 feet. The dome was hemispherical, and
described with a radius of 180 feet, giving a circumference of 1130
feet. The summit of this stupendous work was therefore fifty feet higher
than St. Paul's, and fifty feet lower than St. Peter's.]
The king, in addition to this, built a number of others in various parts
of Ceylon[1], and his name has been perpetuated as the founder of
temples, for the rites of the new religion, and of Wiharas or
monasteries for the residence of its priesthood. The former were of the
simplest design, for an atheistical system, which substitutes meditation
for worship, dispenses with splendour in its edifices and pomp in its
ceremonial.
[Footnote 1: TURNOUR'S _Epitome_, p. 15.]
[Sidenote: B.C. 289.]
The images of Grotama, which in time became objects of veneration, were
but a late innovation[1], and a doubt even been expressed whether the
religion of Buddha in its primitive constitution, rejecting as it does
the doctrine of a mediatorial priesthood, contemplated the existence of
any organised ministry.
[Footnote 1: The precise date of their introduction is unknown, but the
first mention of a statue occurs in an inscription on the rock at
Mihintala, bearing date A.D. 246, and referring to the house constructed
over a figure of Buddha.]
Caves, or insulated apartments in imitation of their gloom and
retirement, were in all probability the first resort of devotees in
Ceylon, and hence amongst the deeds of King Tissa, the most conspicuous
and munificent were the construction of rock temples, on Mihintala, and
of apartments for the priests in all parts of his dominions.[1]
[Footnote 1: TURNOUR's _Epitome_, p. 15.]
The directions of Gotama as to the residence of his votaries are
characterised by the severest simplicity, and the term "pansala,"
literally "a dwelling of leaves,"[1] by which the house of a priest
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