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accuracy, that he was at no time other than what he is when the world first becomes aware of his existence--the blatant, cringing, insolent, able and disreputable wielder of a pen which draws much of its sting and its profit from the vanities and fears of his fellow-creatures. Be that as it may, he somehow becomes a power. He attaches himself to many journals, the editors of which he first pesters, afterwards serves, and always despises. He may perhaps have dabbled in music, and caused a penniless friend who is musical to write for small pay songs which he honours by attaching his own name to them as their composer. Woe betide the unhappy aspirant to the honours of public singing who ignores the demand of this quasi-musical Turpin that she should sing his songs. For, having become in the meantime a musical critic, he will devote all his talents to the congenial task of abusing her voice in his organ--which is naturally the more powerful instrument of the two. Should she, however, submit to his extortionate requests, he will deem himself entitled to embitter the rest of her existence with his patronising commendation. However, before reaching this pitch, he will have made his mark as an interviewer and a picturesque social reporter. In the former capacity he will have hunted momentary celebrities into the sanctity of their rooms, whence, after exchanging two words with them, he will have emerged with two columns of conversation. In the latter capacity, he will create for himself and the readers of his paper a social circle, the members of which, bear the same relation to Society proper as a lurcher does to a pure-bred greyhound. For there are many so-called social sets which are select merely because few desire to enter and many to leave them, and to these the Jack of all Journalisms is often a prophet and a leader pointing the way to the promised land. Thus we learn, with surprise, at first, and afterwards with the yawn that comes of the constant repetition of an ascertained fact, that the receptions of Lady TIFFIN are a model of all that is elegant and _recherche_, whilst the dresses and jewels of Mrs. JIFFS are always a subject of enthusiastic admiration to those amongst whom she moves; and it is only in moments of peculiar moroseness that we remember that neither of these two ladies is qualified by position or refinement for anything more than a passing smile. Yet to many, the mere fact that they are mentioned in p
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