accuracy, that he was at no time other than
what he is when the world first becomes aware of his existence--the
blatant, cringing, insolent, able and disreputable wielder of a pen
which draws much of its sting and its profit from the vanities and
fears of his fellow-creatures. Be that as it may, he somehow becomes
a power. He attaches himself to many journals, the editors of which he
first pesters, afterwards serves, and always despises. He may perhaps
have dabbled in music, and caused a penniless friend who is musical to
write for small pay songs which he honours by attaching his own name
to them as their composer. Woe betide the unhappy aspirant to the
honours of public singing who ignores the demand of this quasi-musical
Turpin that she should sing his songs. For, having become in the
meantime a musical critic, he will devote all his talents to the
congenial task of abusing her voice in his organ--which is naturally
the more powerful instrument of the two. Should she, however, submit
to his extortionate requests, he will deem himself entitled to
embitter the rest of her existence with his patronising commendation.
However, before reaching this pitch, he will have made his mark as an
interviewer and a picturesque social reporter. In the former capacity
he will have hunted momentary celebrities into the sanctity of their
rooms, whence, after exchanging two words with them, he will have
emerged with two columns of conversation. In the latter capacity, he
will create for himself and the readers of his paper a social circle,
the members of which, bear the same relation to Society proper as a
lurcher does to a pure-bred greyhound. For there are many so-called
social sets which are select merely because few desire to enter and
many to leave them, and to these the Jack of all Journalisms is often
a prophet and a leader pointing the way to the promised land. Thus
we learn, with surprise, at first, and afterwards with the yawn that
comes of the constant repetition of an ascertained fact, that the
receptions of Lady TIFFIN are a model of all that is elegant and
_recherche_, whilst the dresses and jewels of Mrs. JIFFS are always
a subject of enthusiastic admiration to those amongst whom she moves;
and it is only in moments of peculiar moroseness that we remember that
neither of these two ladies is qualified by position or refinement for
anything more than a passing smile. Yet to many, the mere fact that
they are mentioned in p
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