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The Project Gutenberg EBook of The Memoirs of Madame de Montespan, Volume I., by Madame La Marquise De Montespan This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Memoirs of Madame de Montespan, Volume I. Being the Historic Memoirs of the Court of Louis XIV. Author: Madame La Marquise De Montespan Release Date: September 29, 2006 [EBook #3847] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK MARQUISE DE MONTESPAN *** Produced by David Widger MEMOIRS OF MADAME LA MARQUISE DE MONTESPAN Written by Herself Being the Historic Memoirs of the Court of Louis XIV. LIST OF ILLUSTRATIONS Madame de Montespan----Etching by Mercier Hortense Mancini----Drawing in the Louvre Madame de la Valliere----Painting by Francois Moliere----Original Etching by Lalauze Boileau----Etching by Lalauze A French Courtier----Photogravure from a Painting Madame de Maintenon----Etching by Mercier from Painting by Hule Charles II.----Original Etching by Ben Damman Bosseut----Etching by Lalauze Louis XIV. Knighting a Subject----Photogravure from a Rare Print A French Actress----Painting by Leon Comerre Racine----Etching by Lalauze BOOK 1. TRANSLATOR'S PREFACE. Historians have, on the whole, dealt somewhat harshly with the fascinating Madame de Montespan, perhaps taking their impressions from the judgments, often narrow and malicious, of her contemporaries. To help us to get a fairer estimate, her own "Memoirs," written by herself, and now first given to readers in an English dress, should surely serve. Avowedly compiled in a vague, desultory way, with no particular regard to chronological sequence, these random recollections should interest us, in the first place, as a piece of unconscious self-portraiture. The cynical Court lady, whose beauty bewitched a great King, and whose ruthless sarcasm made Duchesses quail, is here drawn for us in vivid fashion by her own hand, and while concerned with depicting other figures she really portrays her own. Certainly, in these Memoirs she is generally content to keep herself in the background, while giving us a faithful picture of the brilliant Court at which she
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