and the little book per phonograph,
so that you could see that the instrument is good enough for mere
letter-writing; then I meant to add the fact that you can't write
literature with it, because it hasn't any ideas and it hasn't any gift
for elaboration, or smartness of talk, or vigor of action, or felicity
of expression, but is just matter-of-fact, compressive, unornamental,
and as grave and unsmiling as the devil.

I filled four dozen cylinders in two sittings, then found I could
have said about as much with the pen and said it a deal better. Then I
resigned.

I believe it could teach one to dictate literature to a
phonographer--and some time I will experiment in that line.

The little book is charmingly written, and it interested me. But it
flies too high for me. Its concretest things are filmy abstractions to
me, and when I lay my grip on one of them and open my hand, I feel as
embarrassed as I use to feel when I thought I had caught a fly. I'm
going to try to mail it back to you to-day--I mean I am going to charge
my memory. Charging my memory is one of my chief industries....

With our loves and our kindest regards distributed among you according
to the proprieties.

Yrs ever
MARK.

P. S.--I'm sending that ancient "Mental Telegraphy" article to
Harper's--with a modest postscript. Probably read it to you years ago.

S. L. C.

The "little book" mentioned in this letter was by Swedenborg, an
author in whom the Boston literary set was always deeply interested.
"Mental Telegraphy" appeared in Harper's Magazine, and is now
included in the Uniform Edition of Mark Twain's books. It was
written in 1878.

Joe Goodman had long since returned to California, it being clear
that nothing could be gained by remaining in Washington. On receipt
of the news of the type-setter's collapse he sent a consoling word.
Perhaps he thought Clemens would rage over the unhappy circumstance,
and possibly hold him in some measure to blame. But it was
generally the smaller annoyances of life that made Mark Twain rage;
the larger catastrophes were likely to stir only his philosophy.

The Library of American Literature, mentioned in the following
letter, was a work in many volumes, edited by Edmund Clarence
Stedman and Ellen Mackay Hutchinson.