FREE BOOKS

Author's List




PREV.   NEXT  
|<   7   8   9   10   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31  
32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   >>   >|  
following the ornamental forms, or crossing them. 47. LAID-WORK--The couching crosses the flower forms in straight lines; and in the eye of the flower where the threads cross, the two are sewn down at a single stitch. The spiral stems a sort of laid cord. Flower in blue, sewn with blue and outlined with gold; leaves, a bright fresh green stitched with olive. Japanese. (V. & A. M.) 48. LAID-WORK. The sewing down of the leaves crosses them in curved lines which suggest roundness. The stem in gold basket pattern. Part of a coverlet. Worked upon a cedar-coloured ground chiefly in dark blue and white, the blue couched with white, the white and other colours couched with red. Indo-Portuguese. 17th century. (V. & A. M.) 49. LAID-WORK AND SOME SURFACE-STITCH. The stitching which sews down the floss takes the direction of the scroll, &c., and gives drawing. The surface work in the stems is done upon a ladder of stitches across. Part of a chalice veil. Italian. Early 17th century. (V. & A. M.) 50. LAID-WORK SAMPLER--The straight lines of laid floss varied in colour to suggest shading. The stalk padded, and the pattern made by the stitching upon it thereby emphasised. 51. BULLION AND COUCHED CORD--A, The somewhat loose design of the border in bullion shows rather plainly the way it is done. B, The solid discs of spiral cord are unusual, but most characteristic of the method of couching. The stitches sewing down the cord are not apparent. Oriental. (Mrs. L. F. D.) 52. SAMPLER OF COUCHED SILK--The broad central band and the narrow beaded lines are in floss, and show the effect of sewing it more or less tightly down. The two intermediate bands are in cord couched with threads in the direction of its twist, not very easily distinguishable unless by contrast of colour. 53. COUCHING IN LOOPED THREADS--The effect is not unlike that of chain-stitch or fine knotting. Rather over actual size. Worked in bright colours upon a pale green crepe ground. Chinese. (Mrs. L. F. D.) 54. REVERSE COUCHING--Showing on the face of it no sign of couching. (After the manner of the Syon Cope.) 55. BACK OF REVERSE COUCHING--Showing the parallel lines of couched linen thread which sew down the silk upon the surface (Illustration 54). The zigzag pattern of the stitching might equally well have taken other lines. 56. COUCHED GOLD SAMPLER--A, B, C, D, flat work; E, part flat, part raised; F, G, H, J, basket and other patterns raised over co
PREV.   NEXT  
|<   7   8   9   10   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31  
32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   >>   >|  



Top keywords:

couched

 

SAMPLER

 

sewing

 

pattern

 

stitching

 

COUCHING

 

couching

 

COUCHED

 

straight

 
century

colours

 
Worked
 
ground
 

surface

 
colour
 

effect

 

stitches

 

REVERSE

 
Showing
 

direction


basket

 

bright

 

leaves

 
stitch
 
raised
 

crosses

 

flower

 

threads

 

spiral

 

suggest


tightly

 
intermediate
 

easily

 

contrast

 

distinguishable

 

patterns

 

Illustration

 

central

 
thread
 

narrow


beaded
 
LOOPED
 

THREADS

 

Chinese

 

manner

 

equally

 

parallel

 
unlike
 

knotting

 
Rather