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r beneath my feet, So much the more towards the wind I bend My swiftest pinions, And spurn the world and up towards heaven I go. Not the sad fate of Daedalus's son Does warn me to turn downwards, But ever higher will I rise. Well do I see, I shall fall dead to earth; But what life is there can compare with this my death? Out on the air my heart's voice do I hear: "Whither dost thou carry me, thou fearless one? Turn back. Such over-boldness rarely grief escapes." "Fear not the utmost ruin then," I said, "Cleave confident the clouds and die content, That heaven has destined thee to such illustrious death." CIC. I understand when you say: "Enough that thou hast lifted me on high;" but not: "And from the ignoble crowd hast severed me;" unless it means his having come out from the Platonic groove on account of the stupid and low condition of the crowd; for those that find profit in this contemplation cannot be numerous. TANS. Thou understandest well; but thou mayst also understand, by the "ignoble crowd," the body, and sensual cognition, from which he must arise and free himself who would unite with a nature of a contrary kind. CIC. The Platonists say there are two kinds of knots which link the soul to the body. One is a certain vivifying action which from the soul descends into the body, like a ray; the other is a certain vital quality, which is produced from that action in the body. Now this active and most noble number, which is the soul, in what way do you understand that it may be severed from the ignoble number, which is the body? TANS. Certainly it was not understood according to any of these modes, but according to that mode whereby those powers which are not comprehended and imprisoned in the womb of matter, sometimes as if inebriated and stupefied, find that they also are occupied in the formation of matter and in the vivification of the body; then, as if awakened and brought to themselves, recognizing its principle and genius, they turn towards superior things and force themselves on the intelligible world as to their native abode, and from thence, through their conversion to inferior things, they are thrust into the fate and conditions of generation. These two impulses are symbolized in the two kinds of metamorphosis expressed in the following: 17. That god who shakes the sounding thunder, Asteria as a furtive eagle saw; Mnemos
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