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of public applause. The characteristics of Mr. W.'s muse are simple and flowing, though occasionally inharmonious verse, strong, and sometimes irresistible appeals to the feelings, with unexceptionable sentiments. Though the present work may not equal his former efforts, many of the poems possess a native elegance, natural and unaffected, totally devoid of the tinsel embellishments and abstract hyperboles of several contemporary sonneteers. The last sonnet in the first volume, p. 152., is perhaps the best, without any novelty in the sentiments, which we hope are common to every Briton at the present crisis; the force and expression is that of a genuine poet, feeling as he writes:-- "Another year! another deadly blow! Another mighty empire overthrown! And we are left, or shall be left, alone-- The last that dares to struggle with the foe. 'Tis well!--from this day forward we shall know That in ourselves our safety must be sought, That by our own right-hands it must be wrought; That we must stand unprop'd, or be laid low. O dastard! whom such foretaste doth not cheer! We shall exult, if they who rule the land Be men who hold its many blessings dear, Wise, upright, valiant, not a venal band, Who are to judge of danger which they fear, And honour which they do not understand." The song at the Feast of Brougham Castle, the Seven Sisters, the Affliction of Margaret ---- of ----, possess all the beauties, and few of the defects, of this writer: the following lines from the last are in his first style:-- "Ah! little doth the young one dream When full of play and childish cares, What power hath e'en his wildest scream, Heard by his mother unawares: He knows it not, he cannot guess: Years to a mother bring distress, But do not make her love the less." The pieces least worthy of the author are those entitled "Moods of my own Mind." We certainly wish these "Moods" had been less frequent, or not permitted to occupy a place near works which only make their deformity more obvious; when Mr. W. ceases to please, it is by "abandoning" his mind to the most commonplace ideas, at the same time clothing them in language not simple, but puerile. What will any reader or auditor, out of the nursery, say to such namby-pamby as "Lines written at the Foot of Brother's Bridge?" "The cock is crowing, The stream is flowing, The small birds twitter, The lake doth glitter. The gr
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