dessert. In these you may dip the tips of
your fingers, wiping them afterwards on your table-napkin. If the
finger-glass and d'Oyley are placed on your dessert-plate, you should
immediately remove the d'Oyley to the left of your plate, and place
the finger-glass upon it. By these means you leave the right for the
wine-glasses.
Be careful to know the shapes of the various kinds of wine-glasses
commonly in use, in order that you may never put forward one for
another. High and narrow, and very broad and shallow glasses, are used
for champagne; large, goblet-shaped glasses for burgundy and claret;
ordinary wine-glasses for sherry and madeira; green glasses for hock;
and somewhat large, bell-shaped glasses, for port.
Port, sherry, and madeira, are decanted. Hocks and champagnes appear
in their native bottles. Claret and burgundy are handed round in a
claret-jug.
Coffee and liqueurs should be handed round when the dessert has
been about a quarter of an hour on the table. After this, the ladies
generally retire.
Should no servant be present to do so, the gentleman who is nearest
the door should hold it for the ladies to pass through.
When the ladies leave the dining-room, the gentlemen all rise in their
places, and do not resume their seats till the last lady is gone.
The servants leave the room when the dessert is on the table.
If you should unfortunately overturn or break anything, do not
apologize for it. You can show your regret in your face, but it is not
well-bred to put it into words.
Should you injure a lady's dress, apologise amply, and assist her, if
possible, to remove all traces of the damage.
To abstain from taking the last piece on the dish, or the last glass
of wine in the decanter, only because it is the last, is highly
ill-bred. It implies a fear that the vacancy cannot be supplied, and
almost conveys an affront to your host.
In summing up the little duties and laws of the table, a popular
author has said that--"The chief matter of consideration at
the dinner-table--as, indeed, everywhere else in the life of a
gentleman--is to be perfectly composed and at his ease. He speaks
deliberately; he performs the most important act of the day as if
he were performing the most ordinary. Yet there is no appearance of
trifling or want of gravity in his manner; he maintains the dignity
which is so becoming on so vital an occasion. He performs all the
ceremonies, yet in the style of one who performs n
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