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dessert. In these you may dip the tips of your fingers, wiping them afterwards on your table-napkin. If the finger-glass and d'Oyley are placed on your dessert-plate, you should immediately remove the d'Oyley to the left of your plate, and place the finger-glass upon it. By these means you leave the right for the wine-glasses. Be careful to know the shapes of the various kinds of wine-glasses commonly in use, in order that you may never put forward one for another. High and narrow, and very broad and shallow glasses, are used for champagne; large, goblet-shaped glasses for burgundy and claret; ordinary wine-glasses for sherry and madeira; green glasses for hock; and somewhat large, bell-shaped glasses, for port. Port, sherry, and madeira, are decanted. Hocks and champagnes appear in their native bottles. Claret and burgundy are handed round in a claret-jug. Coffee and liqueurs should be handed round when the dessert has been about a quarter of an hour on the table. After this, the ladies generally retire. Should no servant be present to do so, the gentleman who is nearest the door should hold it for the ladies to pass through. When the ladies leave the dining-room, the gentlemen all rise in their places, and do not resume their seats till the last lady is gone. The servants leave the room when the dessert is on the table. If you should unfortunately overturn or break anything, do not apologize for it. You can show your regret in your face, but it is not well-bred to put it into words. Should you injure a lady's dress, apologise amply, and assist her, if possible, to remove all traces of the damage. To abstain from taking the last piece on the dish, or the last glass of wine in the decanter, only because it is the last, is highly ill-bred. It implies a fear that the vacancy cannot be supplied, and almost conveys an affront to your host. In summing up the little duties and laws of the table, a popular author has said that--"The chief matter of consideration at the dinner-table--as, indeed, everywhere else in the life of a gentleman--is to be perfectly composed and at his ease. He speaks deliberately; he performs the most important act of the day as if he were performing the most ordinary. Yet there is no appearance of trifling or want of gravity in his manner; he maintains the dignity which is so becoming on so vital an occasion. He performs all the ceremonies, yet in the style of one who performs n
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