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olka and the Mazourka. It is a favourite dance with the Parisians, but has never been very popular in England, probably from the same reasons which prevented the success of the Cellarius. Yet it is a pretty dance, and the step is easily acquired. We recommend it to the attention of our readers. The time is 3/8, and quicker than that of the Cellarius. Gentleman takes his partner as in the valse. _Figure en tournant_. We describe the steps for the gentleman; the lady simply reverses the order of the feet, using left foot for right throughout. _1st beat_.--Rest on right foot, with left foot a little raised behind, and slide left foot to the left. _2nd beat_.--Spring on the right foot, bringing it up to where the left foot is, and raising the latter in front. _3rd beat_.--Spring once more on right foot, passing left foot behind without touching the ground with it; this ends first bar. _2nd bar, 1st beat_.--Slide left foot to the left, as before. _2nd beat_.--Spring on right foot, as before, and bring it up to the place of left foot, raising latter at same moment. _3rd beat_.--Fall on the left foot, and raise the right foot behind; end of second bar. Begin third bar with right foot, and continue as before. You turn half round in the first three beats, and complete the circle in the second three. * * * * * XIII.--THE REDOWA, OR REDOVA. The step of this valse somewhat resembles that of the Cellarius, and is used, as we have seen, in dancing the Mazourka Quadrille. It is an elegant valse, not so lively as the Polka Mazourka, but, if danced in correct time, not too slowly, is very graceful and pleasing. The step is not so difficult as that of the Cellarius; it is almost a _Pas de Basque_, with the addition of the hop. In all these dances, which partake of the nature of the Mazourka, it is requisite to mark distinctly the first and third beats of every bar, otherwise the peculiar character of the movement is completely lost. We describe the step for the lady as it is employed in the forward movement. _1st beat_.--Stand with right foot slightly forward; spring upon it, bringing it behind left foot, which is raised at same moment. _2nd beat_.--Slide your left foot forward, bending the knee. _3rd beat_.--Bring your right foot, with a slight hop, up behind your left foot, raising the latter and keeping it in front. (One bar.) _1st beat_.--Spring Upon your left foot, pa
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