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s, and in the vast majority of matters all times are ordinary, Johnson is the man. The Prime Minister is not the whole of the body politic, of course: and there are purposes for which we need people with more turn than Johnson for starting and pressing new ideas: but these will come best from below the gangway; and they will be none the worse in the end for having had to undergo the formidable criticism of a Prime Minister whose first article of faith is that the King's government must be carried on. The {171} slow-moving centrality of Johnson's mind, not to be diverted by any far-looking whimsies from the daily problem of how life was to be lived, is not the least important of the qualities that have given him his unique position in the respect and affection of the English race. CHAPTER V JOHNSON'S WORKS In his lifetime Johnson was chiefly thought of as a great writer. To-day we think of him chiefly as a great man. That is the measure of Boswell's genius: no other biographer of a great writer has unconsciously and unintentionally thrown his hero's own works into the shade. Scott will always have a hundred times as many readers as Lockhart, and Macaulay as Trevelyan. But in this, as in some other ways, Boswell's involuntary greatness has upset the balance of truth. Johnson's writings are now much less read than they deserve to be. For this there are a variety of causes. Fourteen years before he died, William Wordsworth was born at Cockermouth; and fourteen years after his death Wordsworth and Coleridge published the volume which, more perhaps than any {172} other, started English literature on its great voyage into seas unsailed and unimagined by Johnson. The triumph of the Romantic movement inevitably brought with it the depreciation of the prophet of common sense in literature and in life. The great forces in the literature of the next seventy or eighty years were: in poetry, Wordsworth, Coleridge, Scott, Byron, Shelley, Keats; in prose, Scott, and then later on, Carlyle and Ruskin; every single one of them providing a wine by no means to be put into Johnsonian bottles. Johnson, even more than other men in the eighteenth century, was abstract and general in his habit of mind and expression. The men of the new age were just the opposite; they were concrete and particular, lovers of detail and circumstance. The note of his writings had been common sense and rugged veracity; the dominant notes of
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