t very wet, or the gum on the surface of the work will be
redissolved, and a dulness instead of a brilliancy will result. If the
spirit should be very strong, the rubber should be breathed upon before
using, and a little more oil taken up; some, however, prefer to mix a
little polish with the spirit, while others prefer the spirit to be
weakened by exposure to the air for a few hours; experience alone must
be the teacher in this particular; but if the spirit should not "bite,"
as it is termed, all will be well. The last rubber should be worked a
little longer than usual, and a trifle quicker, so as to remove the
slight greasy moisture on the surface.
The finishing touch is given to the work by a soft rag loosely rolled up
and just a few drops of spirit dropped upon it, applied quickly the way
of the grain. This will remove every defect, and leave it clear and
brilliant. If, in a short time after finishing, the polish becomes dull
or rough, it will be owing to too much oil being absorbed in the process
and working through the surface, combined with dust. It should be
cleaned off first with a soft cloth, damped with a little warm water,
and the whole repaired, as at first, with equal parts of polish and
spirits mixed together, using the least possible damp of oil to make it
finish clear; there is no danger of its happening again. In all cases
the work must be rubbed till quite dry, and when nearly so the pressure
may be increased.
The rubber for spiriting-off should be made up from a piece of old
flannel, and be covered with a piece of old rag. This is preferable to
very thin rag, and will give a better finish.
=Prepared Spirits.=--This preparation is useful for finishing, as it
adds to the lustre and durability, as well as removes every defect of
other polishes, and it gives the surface a most brilliant appearance.
It is made of half a pint of the very best rectified spirits of wine,
two drachms of shellac, and two drachms of gum benzoin. Put these
ingredients in a bottle and keep in a warm place till the gum is all
dissolved, shaking it frequently; when cold add two teaspoonfuls of the
best clear white poppy oil; shake them well together, and it is fit for
use.
=Antique Style.=--For mediaeval or old English furniture a dull polish is
generally preferred to a French polish, because it has a gloss rather
than a brilliant polish, which materially assists in showing up
mouldings or carvings to the best advanta
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