ssional singer,
i.e. neither one nor the other ever _were entirely new_, and never
will be allowed to grow entirely old. The double-milled Saxony of these
worthies is generally _very_ blue or _very_ brown; the cut
whereof sets a man of a contemplative turn of mind wondering at what
precise date those tails were worn, and vainly speculating on the
probabilities of their being fearfully indigestible, as that alone could
to long have kept them from Time's remorseless maw. The collars are always
velvet, and always greasy. There is a slight ostentation manifested in the
seams, the stitches whereof are so apparent as to induce the beholders to
believe they must have been the handiwork of some cherished friend, whose
labours ought not to be entombed beneath the superstructure. The
buttons!--oh, for a pen of steam to write upon those buttons! They,
indeed, are the aristocracy--the yellow turbans, the sun, moon, and stars
of the woollen system! They have nothing in common with the coat--they are
_on it_, and that's all--they have no further communion--they decline
the button-holes, and eschew all right to labour for their living--they
announce themselves as "the last new fashion"--they sparkle for a week,
retire to their silver paper, make way for the new comers, and, years
after, like the Sleeping Beauty, rush to life in all their pristine
splendour, and find (save in the treble-gilt aodication and their own
accession) the coat, the immortal coat, unchanged! The waistcoat is of a
material known only to themselves--a sort of nightmare illusion of velvet,
covered with a slight tracery of refined mortar, curiously picked out and
guarded with a nondescript collection of the very greenest green pellets
of hyson-bloom gunpowder tea. The buttons (things of use in this garment)
describe the figure and proportions of a large turbot. They consist of two
rows (leaving imagination to fill up a lapse of the absent), commencing,
to all appearance, at the _small of the back_, and reaching down even
to the hem of the garment, which is invariably a double-breasted one, made
upon the good old dining-out principle of leaving plenty of room in the
victualling department. To complete the catalogue of raiment, the
untalkaboutables have so little right to the name of drab, that it would
cause a controversy on the point. Perhaps nothing in life can more
exquisitely illustrate the Desdemona feeling of divided duty, than the
portion of manufactured calf-s